중국 제조사 AstrHori 에서 기존에 타마운트로 출시했던 AF 85.8 을 드디어 L마운트로 출시했습니다.
최근에 AF 렌즈들이 많아져서 너무 즐겁네요 유저로서 ㅎㅎ. 국내에서는 KPP 에서 정식수입하고 있는데
저도 사용해보고 리뷰를 올려볼까 합니다~
https://kppkpp.co.kr/shop/item.php?it_id=1760937951
태그 보관용: 사진장비 리뷰
Light Lens Lab announced the production of a new Light Lens Lab 35mm f/1.4 Aspherical “11873” lens for M-mount. Prototyped initially in 2023 and reviewed by Leica Society International, the lens has been refined with upgraded aspherical and high-refractive ED elements, improved alignment, and optimized performance for modern high-megapixel sensors. Here are the details, check also this LLL page (previous coverage of LLL lenses can be found here):
After two years of continuous development and refinement, we are pleased to announce that production of the Light Lens Lab 35mm f/1.4 Aspherical “11873” has officially begun. The lens will be available for order in the last quarter of 2025.
A prototype of the 35mm f/1.4 Aspherical “11873” was first completed in 2023 and submitted to Leica Society International for in-depth testing and review. Based on their valuable feedback, we decided to postpone its release to make significant improvements to both the optical design and quality control process. The review of the first prototype of the 35mm f/1.4 Aspherical “11873” has been published by Leica Society International.
Please note that during the review of the 35mm f/1.4 Aspherical “11873,” the lens tested was our first prototype. Over the past two years, we have implemented several key changes to optimize performance for modern high-megapixel sensors. Insights gained from another optical project—soon to be announced—had contributed to the final prototype of the 35mm f/1.4 Aspherical “11873.” After testing the final iteration of the 35mm f/1.4 Aspherical “11873,” we are satisfied and confident in moving forward with production.
- Changes to Aspherical Element Production: Transition from the use of a ground and polished method to a modern moulded and polished method. This change is due to the implementation of learning the use of moulded aspherical elements, enhancing precision and optical consistency.
- New ED and Achromatic Element: Introduced a high-refractive low-dispersion and Achromatic Element alongside the new aspherical element to reduce distortion, diffraction, and chromatic aberration. At the same time, it maintains the legendary character and characteristics through the use of Lanthanide elements.
- Enhanced Quality Control: Improved assembly precision and element spacing—particularly between aspherical and spherical groups—to optimize alignment and image quality. The rear element has been slightly extended for better optical performance, while maintaining full compatibility with M-mount and adapted camera systems.
- New Optical Standard: Due to the high-performance aspect of 35mm f/1.4 Aspherical “11873.” The lens represents both a tribute to legendary lens design and characteristics and the foundation for our new high-performance optics series.
- Refinements of ASPH Element Production: Improves overall performance, minimization of aberration and diffraction.
- Use of ED/Achromatic Element and Lanthanide Element: Reduce amount of distortion and chromatic aberration, while keeping the legendary “AA” characteristic.
- Use of Aviation Grade Aluminum and Titanium Alloy: For long term usage with durability as priority
The lens will be available in the following versions:
- Black Paint
- Chrome
- Titanium Grey Limited Edition: Limited to 300 pieces worldwide.
Black Paint and Chrome versions feature bodies and accessories made from 7075 aircraft-grade aluminum alloy, while the Titanium Grey Limited Edition are made from titanium alloy.
공식 홈페이지에서는 하루 정도 빨리 공개됐었는데 이제 여기저기 소식이 들려오는 군요.
프로토 타입이 공개되고 세월이 좀 지났는데, 이제서야 뭔가 구체화가 되는 것 같습니다.
35.4 ‘11873’ 을 카피한 버전이 LLL 에서 나올 것 같습니다. 공식 출시는 아니고 이제 제작을 하겠다 정도겠네요.
11월이 지나야 조금 더 구체적인 정보가 나올 것 같습니다. 안그래도 35.4 렌즈를 좀 기다렸는데 가격만 괜찮다면 기대해 볼 만 하겠네요. 다만 또 라이카 카피하냐? 라는 비난을 이번에도 피해가기는 쉽지 않겠습니다..
The previously reported 7Artisans AF 35mm f/1.8 lens for L mount is now officially announced.
Check pricing and availability at:
- Amazon
- B&H Photo
- 7Artisans store (get $15 off with code AF3518):
7아티산에서 L마운트용 35.8 렌즈를 출시했습니다.
요즘은 모든 제조사가 L마운트를 쏟아내는 느낌이네요 ㅎㅎ
게다가 E/L/Z 마운트를 기본적으로 초기 물량에 내놓는 것 같아서 더 반갑습니다.
가격은 $299 정도로 책정되었고, 크기는 조금 큰 편이라고 생각되는데
아마도 화질에 중점을 둬서 크기는 살짝 포기한 듯 하네요.
저 크기에 35.4 였으면 정말 좋았을텐데! 하는 아쉬움이..
최근 중국 제조사들의 L마운트 AF 렌즈들 하우징이 모두 비슷한 느낌입니다.
서로서로 단합해서 공동제작해서 제조하는 느낌이 들 정도로…ㅎㅎ
https://leicarumors.com/2025/10/15/new-lens-for-l-mount-7artisans-af-35mm-f-1-8.aspx/
TTartisan released a silver version of the AF 75mm f/2 full-frame lens for L-mount. The price is $199, and orders are now open at:
Additional information on the lens can be found here:
최근 L마운트 40미리 출시로 핫한 tt아티산에서 기존 AF 75mm F2 렌즈의 실버버전을 출시했나 봅니다. 40미리를 써보고 괜찮으면 75미리도 구입할까 고민 중인데.. 가격도 $199 로 훌륭하네요 ㅎ
The previously reported Sirui Aurora 35mm f/1.4 full-frame autofocus lens for L-mount is now officially announced. Pre-orders are open at Amazon, B&H Photo, and the official Siriu website.
Sirui recently joined the L-Mount Alliance:
Additional information on the new 35mm f/1.4 L lens can be found here:
최근에 시루이 브랜드가 L마운트에 합류했죠. 그 덕분에 새로운 35.4 렌즈를 접하게 되는군요.
오로라 라는 라인업으로 렌즈를 계속 내놓나 봅니다. 앞으로가 기대되네요. 리뷰들이 많이 나왔으면 하는!!
On September 9, 2025, DJ-Optical launched a 50mm f/1.0 lens for Leica M mount, limited to 300 silver units, featuring a compact size and a large aperture, 62mm filter design, allowing for simultaneous attachment of filters and a lens hood. It has 11-blade diaphragm and the design consists of 10 elements in five groups, all crafted from high-refractive-index optical materials. The coating utilizes an ultra-low reflectivity coating process, resulting in optimal glare control. The lens exhibits excellent center sharpness at full aperture, with out-of-focus effects resembling those of ginkgo leaves
Optical designer DJ-Optical is an independent optical design team that has been serving the optical industry in China for more than 20 years. DJ-Optical currently sells only to customers in China and is expected to launch its own website in December 2025.
Additional pictures:
DJ Optics 와 같은 회사인지는 모르겠네요. 아마 같지 않을까 싶은데.. 50 1.0 렌즈를 내놓았군요.
L마운트도 그렇고 중국 제조사들의 능력이 대단해 보입니다. 시장을 이제는 선도하는 느낌마저 드는 것 같네요.
예전에는 싼 렌즈에 불과했다면, 이제는 꽤 싸면서 쓸만한 렌즈 수준으로 올라와서.. 써드파티 렌즈들과 경쟁을 하는 수준같이 느껴집니다. 그만큼 디자인이나 퀄리티가 좋아지지 않았나 싶네요.
12월은 되야 이 렌즈에 대한 정보가 구체적으로 나오겠지만 가격면에서 매력적이길 기대해 봅니다.
https://leicarumors.com/2025/10/01/dj-optical-launched-a-50mm-f-1-0-lens-for-leica-m-mount.aspx/
The TTartisan AF 40mm f/2 full-frame lens is now also available for L-mount:
Additional information:
https://ttartisan.store/products/af-40mm-f2-l
- Autofocus Full Frame Prime Lens
- F2.0 Large Aperture
- Metal Lens Body
- Clicked Aperture Ring
- STM for Quiet and Fast AF
- 0.4m Minimum Focusing Distance
- Aircraft-Grade Aluminum Body
- STM+ Lead Screw Motor + ED/ASPH Optics
- Advanced Subject Recognition
기존에 출시되었던 렌즈이긴 하지만 L마운트 진영에서는 꽤나 고대했던 렌즈 같습니다.
기존에 시그마 45 2.8 렌즈 뿐이었던 컴팩트 표준 화각렌즈의 경쟁자였기 때문이죠.
저도 구입을 하고 싶어서 기다리고 있던 렌즈라서, 리뷰들을 좀 찾아보고 구매하려고 합니다.
화질도 따져봐야 겠지만.. 가격과 크기에서 일단 구매해야 될 렌즈라는 느낌이 강하게 오네요~
Panasonic announced a new Lumix S 100-500mm f/5-7.1 O.I.S. lens for L-Mount. With teleconverters attached, this lens can be extended to 1000mm. The new tech inside includes Panasonic’s debut Tight-Smooth Ring and 7-stop Dual I.S. 2 stabilisation support. The new lens also features a dual-phase linear motor, delivering fast and silent autofocus.
Additional informtion on the new Lumix S 100-500mm f/5-7.1:
The Panasonic LUMIX S 100-500mm f5-7.1 is the longest zoom in the S Series, extending up to 1000mm with optional teleconverters. It debuts Panasonic’s Tight-Smooth Ring and is the first S Series zoom to support 7-stop Dual I.S. 2 stabilisation. A dual-phase linear motor delivers fast and silent autofocus, while the 19-element construction ensures high resolution. Compact at 196mm, it marks Panasonic’s entry into super-telephoto reach for wildlife and sports.
Panasonic LUMIX S 100-500mm f5-7.1 Lens Key Features:
- Longest S Series zoom lens covering a 100–500mm focal range
- Balances super-telephoto reach with a 196.1mm portable form factor
- Premium construction featuring 19 elements in 12 groups
- Includes 2 UED, 2 ED and 2 UHR elements to suppress aberration
- 11-blade diaphragm creates naturally circular bokeh
- Closest focusing distance of 0.8m (wide) and 1.5m (telephoto)
- Maximum magnification of 0.36x at 500mm for semi-macro compositions
- Dual Phase Linear Motor for high-speed, precise and silent autofocus
- Dual I.S. 2 stabilisation system achieves up to 7 stops of compensation
- Tight-Smooth Ring adjusts zoom resistance to suit shooting style
- Manual focus support during zoom operation with linear or non-linear response
- Focus breathing suppression and micro-step aperture control
- Weather-sealed body resistant to dust, splash and freezing down to -10°C
- Fluorine-coated front element repels oil and dirt for easier maintenance
- 82mm filter thread for attaching optional accessories
What’s new?
The Panasonic LUMIX S 100-500mm f5-7.1 is the longest zoom in the S series and the first lens specifically designed for wildlife and sports photography. Extending to 1000mm with the optional DMW-STC14 or DMW-STC20 teleconverters, it brings super-telephoto reach to the LUMIX S line in a compact 196mm design. The lens debuts Panasonic’s Tight-Smooth Ring, which allows photographers to change zoom resistance from light for fast action to firm for precise framing or to prevent zoom creep when pointing upwards. It is also the first S Series zoom to achieve 7-stop Dual I.S. 2 stabilisation, thanks to a newly designed O.I.S. unit with dual-side ball support that improves shake detection accuracy and actuator responsiveness. Together, these advances make the S 100-500mm a milestone release in the LUMIX lineup.
Advanced optical design
Despite its compact size, the Panasonic LUMIX S 100-500mm f5-7.1 features an advanced optical construction with 19 elements in 12 groups, including two UED, two ED and two UHR lenses. This arrangement minimises axial and lateral chromatic aberration, maintaining consistent resolution across the zoom range. The UHR elements control field curvature for edge-to-edge sharpness, while the 11-blade circular diaphragm produces naturally circular bokeh and clean starburst highlights. A minimum focusing distance of 0.8m at the wide end and 1.5m at the telephoto end enables magnifications up to 0.36x, supporting detailed close-ups of smaller subjects.
Autofocus and 7-stop stabilisation
A dual-phase linear motor delivers fast, precise, and near-silent autofocusing, supported by an advanced optical encoder that enhances resolution and thermal stability compared to conventional GMR sensors. The built-in O.I.S. works with compatible LUMIX camera bodies to provide 7-stop Dual I.S. 2 stabilisation, reducing handshake during handheld super-telephoto shooting. Users can select Mode 1 for standard correction or Mode 2 for panning, where the system automatically detects the direction of movement and stabilises only on the perpendicular axis to keep moving subjects sharp.
Optimised for video
This super-telephoto zoom integrates dedicated features for hybrid shooters. Focus breathing suppression ensures that framing remains consistent during pulls, while micro-step aperture control delivers smooth exposure transitions. The Dual Phase Linear Motor operates with minimal noise, reducing distractions during recording. Photographers can select linear focus ring behaviour for predictable, mechanical-style pulls or non-linear control for variable speed adjustments, ensuring precision when adapting to different shooting styles.
Handling and controls
With the LUMIX S 100-500mm f5-7.1 marking Panasonic’s entry into the super-telephoto wildlife and sports market, the company has tackled long-standing handling challenges through targeted optimisations for stability and control. The new Tight-Smooth Ring allows photographers to adjust zoom resistance, keeping movements light and responsive when tracking action, or firm and steady to prevent zoom creep at high angles. A customisable focus ring can be reassigned to functions such as aperture or crop zoom, while a focus button and dedicated switches for AF/MF, O.I.S. and focus limiting ensure key settings stay close to hand. The rotating tripod collar maintains balance and allows for quick switching between portrait and landscape orientations without disturbing the composition.
Weather-resistant build
To provide users with enhanced protection in the field, Panasonic has designed the LUMIX S 100-500mm f5-7.1 with a dust- and splash-resistant build and freeze resistance down to -10°C. A fluorine coating on the front element repels water, oil, and dirt, making the lens surface easier to keep clean when working outdoors. Despite its extended telephoto reach, the lens remains compact, measuring 196mm in length and weighing 1285g.
The press release can be found here
파나소닉에서 새로운 바디라도 나오는 줄 알았습니다..ㅋ
바디가 아닌 렌즈 출시였네요.
초망원 화각에 해당하는 100-500 망원렌즈 입니다.
100-500mm 초점 거리를 커버하는 가장 긴 S 시리즈 줌 렌즈
초광각 도달 범위와 196.1mm 휴대용 폼 팩터의 균형을 맞춥니다
12개 그룹에 19개의 요소가 포함된 프리미엄 구조
수차를 억제하기 위해 2개의 UED, 2개의 ED 및 2개의 UHR 요소가 포함되어 있습니다
11날 다이어프램은 자연스럽게 원형 보케를 만듭니다
가장 가까운 초점 거리인 0.8m(폭)와 1.5m(텔레포토)
세미 매크로 조성물의 최대 배율은 500mm에서 0.36배입니다
고속, 정밀, 무음 자동 초점을 위한 듀얼 페이즈 리니어 모터
듀얼 I.S. 2 안정화 시스템, 최대 7회 정지 보상 달성
촬영 스타일에 맞게 줌 저항을 조절하는 타이트 스무스 링
줌 작동 중에 선형 또는 비선형 응답으로 수동 초점 지원
초점 호흡 억제 및 미세 단계 조리개 제어
먼지, 물보라, 영하 10도까지 얼어붙을 수 있는 날씨 밀폐형 본체
불소 코팅 전면 요소가 기름과 먼지를 밀어내어 유지 관리가 용이합니다
선택적 액세서리 부착을 위한 82mm 필터 나사산
