Leica released new firmware update version 2.6.0 for the M11, M11-P, M11-M, and M11-D cameras:

• Leica M11 v2.6.0
• Leica M11-P v2.6.0
• Leica M11-M v2.6.0
• Leica M11-D v2.6.0

Here is what’s new:

• The function White Balance Adjustment allows the user to make custom adjustments to the sensor white point calibrated ex works. This adjustment will affect the automatic White Balance as well as the fixed presets (Film Style).
• Lens detection now offers additional flexibility when using Leica-M lenses with 6-bit encoding. Even if the lens type is detected automatically, the user can now additionally select another lens type from the list of M lenses. The list is available for all profiles and will be included when profiles are exported to an SD card.
• The Dust Protection function can now also be controlled via Leica FOTOS (Version 5.5.1 and higher)
• In rare cases, the connection between the camera and smartphone was severed by the operating system during image downloads and could not be restored afterwards. This issue was resolved.
• A bug was fixed where, in exposure bracketing with Auto ISO, the second and third shots were at times taken with unnecessarily high ISO values.
• The issue, where images were sometimes misaligned after being transferred to the computer if the camera was quickly rotated from horizontal to vertical during shooting was fixed.

화이트 밸런스 조정 기능을 사용하면 센서 화이트 포인트 보정된 엑스워크를 사용자 지정으로 조정할 수 있습니다. 이 조정은 자동 화이트 밸런스뿐만 아니라 고정된 프리셋(필름 스타일)에도 영향을 미칩니다.

이제 렌즈 감지 기능은 6비트 인코딩이 있는 라이카-M 렌즈를 사용할 때 추가적인 유연성을 제공합니다. 렌즈 유형이 자동으로 감지되더라도 사용자는 이제 M 렌즈 목록에서 다른 렌즈 유형을 추가로 선택할 수 있습니다. 이 목록은 모든 프로필에 대해 사용할 수 있으며 프로필을 SD 카드로 내보낼 때 포함됩니다.

먼지 보호 기능은 이제 Leica FOTOS(버전 5.5.1 이상)를 통해서도 제어할 수 있습니다

드물게 이미지 다운로드 중 운영 체제에 의해 카메라와 스마트폰 간의 연결이 끊겼다가 나중에 복원할 수 없는 경우도 있었습니다. 이 문제는 해결되었습니다.

Auto ISO를 사용한 노출 브래킷에서 불필요하게 높은 ISO 값으로 두 번째와 세 번째 샷을 촬영하는 버그가 수정되었습니다.

촬영 중 카메라를 수평에서 수직으로 빠르게 회전시키면 컴퓨터로 전송된 후 이미지가 때때로 어긋나는 문제가 해결되었습니다.

https://leicarumors.com/2025/10/23/leica-released-new-firmware-update-version-2-6-0-for-the-m11-m11-p-m11-m-and-m11-d-cameras.aspx/

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The previously reported 7Artisans AF 35mm f/1.8 lens for L mount is now officially announced.

Check pricing and availability at:

• Amazon
• B&H Photo
• 7Artisans store (get $15 off with code AF3518):

7아티산에서 L마운트용 35.8 렌즈를 출시했습니다.

요즘은 모든 제조사가 L마운트를 쏟아내는 느낌이네요 ㅎㅎ

게다가 E/L/Z 마운트를 기본적으로 초기 물량에 내놓는 것 같아서 더 반갑습니다.

가격은 $299 정도로 책정되었고, 크기는 조금 큰 편이라고 생각되는데

아마도 화질에 중점을 둬서 크기는 살짝 포기한 듯 하네요.

저 크기에 35.4 였으면 정말 좋았을텐데! 하는 아쉬움이..

최근 중국 제조사들의 L마운트 AF 렌즈들 하우징이 모두 비슷한 느낌입니다.

서로서로 단합해서 공동제작해서 제조하는 느낌이 들 정도로…ㅎㅎ

https://leicarumors.com/2025/10/15/new-lens-for-l-mount-7artisans-af-35mm-f-1-8.aspx/

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LOBA Winner 2025 © Alejandro Cegarra

LOBA Newcomer 2025 © Serghei Duve

A quick update to my last post about the Leica M11 Monochrom camera marble sculptures in Leica World – this was all part of the Celebration of Photography event for the 45th Leica Oskar Barnack Award at the Wetzlar headquarters – the first event in October I have been reporting about:

Leica Camera AG Presents 45th Leica Oskar Barnack Award at Its Wetzlar Headquarters During the Celebration of Photography

Wetzlar, 10 October 2025

This year’s Celebration of Photography was a truly special occasion. Alongside this year’s award recipients, many past winners, nominators and gallerists helped make the anniversary a vibrant reflection of what the Leica Oskar Barnack Award (LOBA) has represented since 1979: photography as a space for human encounters, as an art of seeing and understanding, and as a bridge between cultures and generations.

The LOBA award ceremony stirred emotions, sparked inspiration and captured imaginations – becoming a moving tribute to the power of photography and the individuals behind the camera. With heartfelt thanks to the photographers who shine light on stories with empathy, courage and passion, Leica highlighted the LOBA’s key purpose: to spotlight the moments that define our shared memory.

The 45th LOBA edition powerfully affirmed photography’s vital role in shaping our understanding of the world. It creates encounters, demands accountability and sustains a timeless dialogue between vision and humanity.

2025 LOBA Winners: Alejandro Cegarra and Serghei Duve

The main LOBA prize was won by photographer Alejandro Cegarra, who was born in Venezuela in 1989 and lives in Mexico. He already won a LOBA in 2014, at a time when he was still a newcomer. His winning series this year, The Two Walls, came to life in the border region between Mexico and the US, where many migrants become stranded due to restrictive asylum policy, often in hopeless circumstances. Cegarra’s compassionate imagery centres chiefly on the personal destinies of those he photographs. LOBA Newcomer Serghei Duve, who was born in Moldova in 1999, presents his family’s enduring connection to their homeland of Transnistria in his extraordinary series Bright Memory. This is a region that declared independence from the Republic of Moldova 35 years ago and remains internationally unrecognised, with support primarily from Russia to this day.

2025 Shortlist Shown in Major Exhibition at Ernst Leitz Museum

The vernissage of the LOBA exhibition was the standout event on the evening of 9 October. Alongside the two winning series, the full 2025 LOBA Shortlist – featuring 10 additional entries – is being showcased in an impressive exhibition at the Ernst Leitz Museum until 11 January 2026. The works reflect contemporary themes and pressing global issues: the impact of the climate crisis, the devastation of war and its toll on civilians, the causes and consequences of displacement and migration, experiences of social exclusion and political repression, as well as the remarkable self-empowerment of marginalised communities. The 2025 LOBA exhibition is a powerful showcase of courageous narratives and poignant destinies, which – amid harsh realities – also unveils moments of hope and resilience.

The winning series and the 2025 LOBA Shortlist have been announced and can now be seen in Wetzlar

Alejandro Cegarra and Serghei Duve are the winners of this year’s Leica Oskar Barnack Award (LOBA). They were honoured during a ceremony on the evening of 9 October 2025 at the Leica headquarters. The LOBA award presentation represented yet another highlight in the Leica centennial celebrations, during which Leica’s history has been lauded under the motto “100 Years of Leica: Witness to a Century”.

In the 45th edition of the prestigious photography prize, the LOBA jury handed the main award to the photographer Alejandro Cegarra, who was born in Venezuela and lives in Mexico, for his series The Two Walls. The German photographer Serghei Duve was the winner in the LOBA Newcomer category for his series Bright Memory. The winning series prevailed over a wide field of candidates, with more than 300 submissions having been suggested to the LOBA jury by around 120 experts from the international photography scene in around 50 countries. The Leica Oskar Barnack Newcomer Award is bestowed in collaboration with 20 international institutions and universities from 17 countries.

Alejandro Cegarra: The Two Walls – 2025 Leica Oskar Barnack Award Winner

Photographer Alejandro Cegarra travelled the borderland between USA and Mexico for this long-term project. With his empathic black-and-white pictures, he draws attention to the plight of migrants and refugees and sheds light on their dramatic situation. Mexico was once known as a safe haven for refugees. In recent years, however, the country has entered into a partnership with anti-immigration politicians in the United States. In this series, Cegarra focusses on the struggles of migrants and their families who are suffering under harsh and inhumane conditions at Mexico’s border.

The winning series was suggested by the Columbian photographer and LOBA nominator Federico Rios Escobar.

Statement by Alejandro Cegarra: “I worked on this series from 2018 to January of this year and was always between the borders. I wanted to concentrate on humanity and universally human emotions. In total, I took 35,000 pictures – of which I chose 20 for the LOBA series.”

Alejandro Cegarra was born in Venezuela in 1989 and has lived in Mexico since 2017. He began his career as a photographer in 2012 when he started working for Venezuela’s biggest newspaper Últimas Noticias. Since then, his work as a freelance photographer has been published by The New York Times, Bloomberg, National Geographic, The New Yorker, The Washington Post and TIME. He has received multiple awards, including the Getty Editorial Grant in 2017, as well as the Global Award for Long-Term Projects from World Press Photo in 2019 and 2024. He already won the Leica Oskar Barnack Newcomer Award in 2014 for his series The Other Side of the Tower of David about squatters at an unfinished high-rise in Venezuela’s capital Caracas. Cegarra has also been a LOBA nominator multiple times.

Serghei Duve: Bright Memory – 2025 Leica Oskar Barnack Newcomer Award

Through his very personal series Bright Memory, the photographer Serghei Duve, who started life in the Republic of Moldova, explores his family’s enduring connection to Transnistria – a territory that declared independence from Moldova in 1990, yet remains unrecognised internationally and supported solely by Russia. In his pictures, he tries to visualise the sentiment captured by the Russian expression “bright memory”, reflecting everyday life shaped by nostalgia and division.

The series was nominated for the LOBA Newcomer category for young photographers up to the age of 30 by the Visual Journalism and Documentary Photography department at the Hochschule Hannover – University of Applied Sciences and Arts.

Statement by Serghei Duve: “My work is about telling personal stories, but also about laying everything bare to draw attention to broader themes. I chose the title for this work after my grandfather died in March 2023 and one of my relatives offered his condolences with precisely these Russian words: ‘Swetlaja Pamiat’. Even if it’s actually just a cliché in Russian, these words touched me, and I found them to be very appropriate.”

Serghei Duve was born in Chișinău, Moldova, in 1999. When he was one, his parents moved with their family to Hanover, Germany. He went to preschool and school there while growing up with Russian culture at home and speaking to his parents in Russian. He became interested in photography at the age of 10 when he was given a camera for his birthday. He has been studying in the Visual Journalism and Documentary Photography department at the Hanover University of Applied Sciences and Arts since 2021. In his projects, Duve explores identity and origin, often in connection with his own roots and experience.

Jury statement by Karin Rehn-Kaufmann, Art Director and Chief Representative of Leica Galleries International: “This year’s Leica Oskar Barnack Award jury reached their decision with close consideration and a deep appreciation for photography’s social impact. Alejandro Cegarra’s path is particularly moving: as a former winner of the Newcomer category, he returns with his impressive series The Two Walls – a work which highlights the topics of division, migration and human dignity with vivid imagery. His graduation from newcomer to the main category is a first in the history of the award and shows how photographic voices grow and are becoming more urgent than ever.”

Jury statement by Felix Hoffmann, Curator at Foto Arsenal Vienna (Austria): “The LOBA has established itself as a key reference point for the international photography scene, embodying quality, diversity and social relevance. The wide range of topics was striking this year: from very personal stories to global social issues.”

Jury statement by Jane Evelyn Atwood, photographer and 1997 LOBA winner (USA/France): “The LOBA is a highly prestigious award, widely recognised for its excellence. For those fortunate and talented enough to receive it, it marks an exceptional achievement. Winning the LOBA brings recognition, and people will likely see your work in a different light.”

Jury statement by Curt Holtz, Photography and Architecture Editor at Prestel Publishing (Germany): “The selection of photographers and pictures was very diverse, coming from around the globe. I think the LOBA is very important, especially for photographers working in the field of documentary photography. But it could receive greater attention and become more well known, as many artists have not heard about it (yet) and could really benefit from it.”

The LOBA is among the most renowned photography awards worldwide: the main LOBA prize is 40,000 euros in addition to Leica camera equipment worth 10,000 euros. The winner of the LOBA Newcomer Award receives 10,000 euros and a Leica Q3.

All of the LOBA series are now being presented at the Ernst Leitz Museum Wetzlar with the kind support of WhiteWall and in a comprehensive accompanying catalogue. Following the show in Wetzlar, the 2025 LOBA exhibition will be displayed at various Leica Galleries and featured at photography festivals.

Further information can be found at www.leica-oskar-barnack-award.com.

올해 사진 기념 행사는 정말 특별한 행사였습니다. 올해 수상자들 외에도 많은 과거 수상자, 후보자, 갤러리스트들이 1979년부터 라이카 오스카르 바낙상(LOBA)이 상징해 온 사진을 생생하게 반영하는 데 기여했습니다: 사진은 인간과의 만남의 공간, 보고 이해하는 예술, 문화와 세대를 잇는 다리로서의 역할을 합니다.

LOBA 시상식은 감정을 자극하고 영감을 불러일으키며 상상력을 포착하여 사진의 힘과 카메라 뒤에 있는 개인들에게 감동적인 헌사가 되었습니다. 공감, 용기, 열정으로 이야기를 빛내주는 사진작가들에게 진심 어린 감사를 표하며, 라이카는 LOBA의 핵심 목적인 우리의 공유된 기억을 정의하는 순간들을 조명하는 것을 강조했습니다.

제45회 LOBA 에디션은 사진이 세상에 대한 우리의 이해를 형성하는 데 중요한 역할을 한다는 것을 강력하게 확인했습니다. 사진은 만남을 만들고, 책임을 요구하며, 비전과 인류 사이의 끊임없는 대화를 이어갑니다.

2025 LOBA 우승자: 알레한드로 체가라와 세르게이 듀브

LOBA 주요 상은 1989년 베네수엘라에서 태어나 멕시코에 거주하는 사진작가 알레한드로 체가라가 수상했습니다. 그는 아직 신인이었던 2014년에 이미 LOBA를 수상했습니다. 올해 수상작인 ‘두 벽’은 멕시코와 미국의 국경 지역에서 탄생했으며, 많은 이민자들이 제한적인 망명 정책으로 인해 종종 절망적인 상황에 처해 있습니다. 체가라의 자비로운 이미지는 주로 그가 촬영하는 사람들의 개인적인 운명에 초점을 맞추고 있습니다. 1999년 몰도바에서 태어난 신인 세르게이 듀브는 특별한 시리즈 ‘밝은 기억’에서 가족과 트랜스니스트리아의 영원한 인연을 소개합니다. 35년 전 몰도바 공화국으로부터 독립을 선언한 이 지역은 오늘날까지 주로 러시아의 지원을 받아 국제적으로 인정받지 못하고 있습니다.

2025년 에른스트 라이츠 박물관 주요 전시회에 출품된 최종 후보 목록

LOBA 전시회의 버니지먼트는 10월 9일 저녁에 열린 눈에 띄는 행사였습니다. 두 개의 수상 시리즈와 함께, 2026년 1월 11일까지 에른스트 라이츠 박물관에서 인상적인 전시회에서 총 10개의 추가 출품작이 포함된 2025 LOBA 쇼트리스트가 전시되고 있습니다. 이 작품들은 기후 위기의 영향, 전쟁의 참혹함과 민간인에 대한 피해, 이주와 정치적 억압의 원인과 결과, 사회적 배제와 정치적 억압의 경험, 소외된 공동체의 놀라운 자립 등 현대적인 주제와 긴급한 글로벌 이슈를 반영하고 있습니다. 2025 LOBA 전시회는 용기 있는 서사와 가슴 아픈 운명을 강력하게 보여주는 전시회로, 가혹한 현실 속에서도 희망과 회복력의 순간들을 드러냅니다.

https://leicarumors.com/2025/10/10/leica-camera-presents-45th-leica-oskar-barnack-award-at-the-wetzlar-headquarters-during-the-celebration-of-photography-event.aspx/

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On September 9, 2025, DJ-Optical launched a 50mm f/1.0 lens for Leica M mount, limited to 300 silver units, featuring a compact size and a large aperture, 62mm filter design, allowing for simultaneous attachment of filters and a lens hood. It has 11-blade diaphragm and the design consists of 10 elements in five groups, all crafted from high-refractive-index optical materials. The coating utilizes an ultra-low reflectivity coating process, resulting in optimal glare control. The lens exhibits excellent center sharpness at full aperture, with out-of-focus effects resembling those of ginkgo leaves

Optical designer DJ-Optical is an independent optical design team that has been serving the optical industry in China for more than 20 years. DJ-Optical currently sells only to customers in China and is expected to launch its own website in December 2025.

Additional pictures:

DJ Optics 와 같은 회사인지는 모르겠네요. 아마 같지 않을까 싶은데.. 50 1.0 렌즈를 내놓았군요.

L마운트도 그렇고 중국 제조사들의 능력이 대단해 보입니다. 시장을 이제는 선도하는 느낌마저 드는 것 같네요.

예전에는 싼 렌즈에 불과했다면, 이제는 꽤 싸면서 쓸만한 렌즈 수준으로 올라와서.. 써드파티 렌즈들과 경쟁을 하는 수준같이 느껴집니다. 그만큼 디자인이나 퀄리티가 좋아지지 않았나 싶네요.

12월은 되야 이 렌즈에 대한 정보가 구체적으로 나오겠지만 가격면에서 매력적이길 기대해 봅니다.

https://leicarumors.com/2025/10/01/dj-optical-launched-a-50mm-f-1-0-lens-for-leica-m-mount.aspx/

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Panasonic announced a new Lumix S 100-500mm f/5-7.1 O.I.S. lens for L-Mount. With teleconverters attached, this lens can be extended to 1000mm. The new tech inside includes Panasonic’s debut Tight-Smooth Ring and 7-stop Dual I.S. 2 stabilisation support. The new lens also features a dual-phase linear motor, delivering fast and silent autofocus.

Additional informtion on the new Lumix S 100-500mm f/5-7.1:

The Panasonic LUMIX S 100-500mm f5-7.1 is the longest zoom in the S Series, extending up to 1000mm with optional teleconverters. It debuts Panasonic’s Tight-Smooth Ring and is the first S Series zoom to support 7-stop Dual I.S. 2 stabilisation. A dual-phase linear motor delivers fast and silent autofocus, while the 19-element construction ensures high resolution. Compact at 196mm, it marks Panasonic’s entry into super-telephoto reach for wildlife and sports.

Panasonic LUMIX S 100-500mm f5-7.1 Lens Key Features:

• Longest S Series zoom lens covering a 100–500mm focal range
• Balances super-telephoto reach with a 196.1mm portable form factor
• Premium construction featuring 19 elements in 12 groups
• Includes 2 UED, 2 ED and 2 UHR elements to suppress aberration
• 11-blade diaphragm creates naturally circular bokeh
• Closest focusing distance of 0.8m (wide) and 1.5m (telephoto)
• Maximum magnification of 0.36x at 500mm for semi-macro compositions
• Dual Phase Linear Motor for high-speed, precise and silent autofocus
• Dual I.S. 2 stabilisation system achieves up to 7 stops of compensation
• Tight-Smooth Ring adjusts zoom resistance to suit shooting style
• Manual focus support during zoom operation with linear or non-linear response
• Focus breathing suppression and micro-step aperture control
• Weather-sealed body resistant to dust, splash and freezing down to -10°C
• Fluorine-coated front element repels oil and dirt for easier maintenance
• 82mm filter thread for attaching optional accessories

What’s new?
The Panasonic LUMIX S 100-500mm f5-7.1 is the longest zoom in the S series and the first lens specifically designed for wildlife and sports photography. Extending to 1000mm with the optional DMW-STC14 or DMW-STC20 teleconverters, it brings super-telephoto reach to the LUMIX S line in a compact 196mm design. The lens debuts Panasonic’s Tight-Smooth Ring, which allows photographers to change zoom resistance from light for fast action to firm for precise framing or to prevent zoom creep when pointing upwards. It is also the first S Series zoom to achieve 7-stop Dual I.S. 2 stabilisation, thanks to a newly designed O.I.S. unit with dual-side ball support that improves shake detection accuracy and actuator responsiveness. Together, these advances make the S 100-500mm a milestone release in the LUMIX lineup.

Advanced optical design
Despite its compact size, the Panasonic LUMIX S 100-500mm f5-7.1 features an advanced optical construction with 19 elements in 12 groups, including two UED, two ED and two UHR lenses. This arrangement minimises axial and lateral chromatic aberration, maintaining consistent resolution across the zoom range. The UHR elements control field curvature for edge-to-edge sharpness, while the 11-blade circular diaphragm produces naturally circular bokeh and clean starburst highlights. A minimum focusing distance of 0.8m at the wide end and 1.5m at the telephoto end enables magnifications up to 0.36x, supporting detailed close-ups of smaller subjects.

Autofocus and 7-stop stabilisation
A dual-phase linear motor delivers fast, precise, and near-silent autofocusing, supported by an advanced optical encoder that enhances resolution and thermal stability compared to conventional GMR sensors. The built-in O.I.S. works with compatible LUMIX camera bodies to provide 7-stop Dual I.S. 2 stabilisation, reducing handshake during handheld super-telephoto shooting. Users can select Mode 1 for standard correction or Mode 2 for panning, where the system automatically detects the direction of movement and stabilises only on the perpendicular axis to keep moving subjects sharp.

Optimised for video
This super-telephoto zoom integrates dedicated features for hybrid shooters. Focus breathing suppression ensures that framing remains consistent during pulls, while micro-step aperture control delivers smooth exposure transitions. The Dual Phase Linear Motor operates with minimal noise, reducing distractions during recording. Photographers can select linear focus ring behaviour for predictable, mechanical-style pulls or non-linear control for variable speed adjustments, ensuring precision when adapting to different shooting styles.

Handling and controls
With the LUMIX S 100-500mm f5-7.1 marking Panasonic’s entry into the super-telephoto wildlife and sports market, the company has tackled long-standing handling challenges through targeted optimisations for stability and control. The new Tight-Smooth Ring allows photographers to adjust zoom resistance, keeping movements light and responsive when tracking action, or firm and steady to prevent zoom creep at high angles. A customisable focus ring can be reassigned to functions such as aperture or crop zoom, while a focus button and dedicated switches for AF/MF, O.I.S. and focus limiting ensure key settings stay close to hand. The rotating tripod collar maintains balance and allows for quick switching between portrait and landscape orientations without disturbing the composition.

Weather-resistant build
To provide users with enhanced protection in the field, Panasonic has designed the LUMIX S 100-500mm f5-7.1 with a dust- and splash-resistant build and freeze resistance down to -10°C. A fluorine coating on the front element repels water, oil, and dirt, making the lens surface easier to keep clean when working outdoors. Despite its extended telephoto reach, the lens remains compact, measuring 196mm in length and weighing 1285g.

The press release can be found here

파나소닉에서 새로운 바디라도 나오는 줄 알았습니다..ㅋ

바디가 아닌 렌즈 출시였네요.

초망원 화각에 해당하는 100-500 망원렌즈 입니다.

100-500mm 초점 거리를 커버하는 가장 긴 S 시리즈 줌 렌즈
초광각 도달 범위와 196.1mm 휴대용 폼 팩터의 균형을 맞춥니다
12개 그룹에 19개의 요소가 포함된 프리미엄 구조
수차를 억제하기 위해 2개의 UED, 2개의 ED 및 2개의 UHR 요소가 포함되어 있습니다
11날 다이어프램은 자연스럽게 원형 보케를 만듭니다
가장 가까운 초점 거리인 0.8m(폭)와 1.5m(텔레포토)
세미 매크로 조성물의 최대 배율은 500mm에서 0.36배입니다
고속, 정밀, 무음 자동 초점을 위한 듀얼 페이즈 리니어 모터
듀얼 I.S. 2 안정화 시스템, 최대 7회 정지 보상 달성
촬영 스타일에 맞게 줌 저항을 조절하는 타이트 스무스 링
줌 작동 중에 선형 또는 비선형 응답으로 수동 초점 지원
초점 호흡 억제 및 미세 단계 조리개 제어
먼지, 물보라, 영하 10도까지 얼어붙을 수 있는 날씨 밀폐형 본체
불소 코팅 전면 요소가 기름과 먼지를 밀어내어 유지 관리가 용이합니다
선택적 액세서리 부착을 위한 82mm 필터 나사산

https://leicarumors.com/2025/09/24/panasonic-announced-a-new-lumix-s-100-500mm-f-5-7-1-o-i-s-lens-for-l-mount.aspx/

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