On September 9, 2025, DJ-Optical launched a 50mm f/1.0 lens for Leica M mount, limited to 300 silver units, featuring a compact size and a large aperture, 62mm filter design, allowing for simultaneous attachment of filters and a lens hood. It has 11-blade diaphragm and the design consists of 10 elements in five groups, all crafted from high-refractive-index optical materials. The coating utilizes an ultra-low reflectivity coating process, resulting in optimal glare control. The lens exhibits excellent center sharpness at full aperture, with out-of-focus effects resembling those of ginkgo leaves

Optical designer DJ-Optical is an independent optical design team that has been serving the optical industry in China for more than 20 years. DJ-Optical currently sells only to customers in China and is expected to launch its own website in December 2025.

Additional pictures:

DJ Optics 와 같은 회사인지는 모르겠네요. 아마 같지 않을까 싶은데.. 50 1.0 렌즈를 내놓았군요.

L마운트도 그렇고 중국 제조사들의 능력이 대단해 보입니다. 시장을 이제는 선도하는 느낌마저 드는 것 같네요.

예전에는 싼 렌즈에 불과했다면, 이제는 꽤 싸면서 쓸만한 렌즈 수준으로 올라와서.. 써드파티 렌즈들과 경쟁을 하는 수준같이 느껴집니다. 그만큼 디자인이나 퀄리티가 좋아지지 않았나 싶네요.

12월은 되야 이 렌즈에 대한 정보가 구체적으로 나오겠지만 가격면에서 매력적이길 기대해 봅니다.

https://leicarumors.com/2025/10/01/dj-optical-launched-a-50mm-f-1-0-lens-for-leica-m-mount.aspx/

Panasonic announced a new Lumix S 100-500mm f/5-7.1 O.I.S. lens for L-Mount. With teleconverters attached, this lens can be extended to 1000mm. The new tech inside includes Panasonic’s debut Tight-Smooth Ring and 7-stop Dual I.S. 2 stabilisation support. The new lens also features a dual-phase linear motor, delivering fast and silent autofocus.

Additional informtion on the new Lumix S 100-500mm f/5-7.1:

The Panasonic LUMIX S 100-500mm f5-7.1 is the longest zoom in the S Series, extending up to 1000mm with optional teleconverters. It debuts Panasonic’s Tight-Smooth Ring and is the first S Series zoom to support 7-stop Dual I.S. 2 stabilisation. A dual-phase linear motor delivers fast and silent autofocus, while the 19-element construction ensures high resolution. Compact at 196mm, it marks Panasonic’s entry into super-telephoto reach for wildlife and sports.

Panasonic LUMIX S 100-500mm f5-7.1 Lens Key Features:

• Longest S Series zoom lens covering a 100–500mm focal range
• Balances super-telephoto reach with a 196.1mm portable form factor
• Premium construction featuring 19 elements in 12 groups
• Includes 2 UED, 2 ED and 2 UHR elements to suppress aberration
• 11-blade diaphragm creates naturally circular bokeh
• Closest focusing distance of 0.8m (wide) and 1.5m (telephoto)
• Maximum magnification of 0.36x at 500mm for semi-macro compositions
• Dual Phase Linear Motor for high-speed, precise and silent autofocus
• Dual I.S. 2 stabilisation system achieves up to 7 stops of compensation
• Tight-Smooth Ring adjusts zoom resistance to suit shooting style
• Manual focus support during zoom operation with linear or non-linear response
• Focus breathing suppression and micro-step aperture control
• Weather-sealed body resistant to dust, splash and freezing down to -10°C
• Fluorine-coated front element repels oil and dirt for easier maintenance
• 82mm filter thread for attaching optional accessories

What’s new?
The Panasonic LUMIX S 100-500mm f5-7.1 is the longest zoom in the S series and the first lens specifically designed for wildlife and sports photography. Extending to 1000mm with the optional DMW-STC14 or DMW-STC20 teleconverters, it brings super-telephoto reach to the LUMIX S line in a compact 196mm design. The lens debuts Panasonic’s Tight-Smooth Ring, which allows photographers to change zoom resistance from light for fast action to firm for precise framing or to prevent zoom creep when pointing upwards. It is also the first S Series zoom to achieve 7-stop Dual I.S. 2 stabilisation, thanks to a newly designed O.I.S. unit with dual-side ball support that improves shake detection accuracy and actuator responsiveness. Together, these advances make the S 100-500mm a milestone release in the LUMIX lineup.

Advanced optical design
Despite its compact size, the Panasonic LUMIX S 100-500mm f5-7.1 features an advanced optical construction with 19 elements in 12 groups, including two UED, two ED and two UHR lenses. This arrangement minimises axial and lateral chromatic aberration, maintaining consistent resolution across the zoom range. The UHR elements control field curvature for edge-to-edge sharpness, while the 11-blade circular diaphragm produces naturally circular bokeh and clean starburst highlights. A minimum focusing distance of 0.8m at the wide end and 1.5m at the telephoto end enables magnifications up to 0.36x, supporting detailed close-ups of smaller subjects.

Autofocus and 7-stop stabilisation
A dual-phase linear motor delivers fast, precise, and near-silent autofocusing, supported by an advanced optical encoder that enhances resolution and thermal stability compared to conventional GMR sensors. The built-in O.I.S. works with compatible LUMIX camera bodies to provide 7-stop Dual I.S. 2 stabilisation, reducing handshake during handheld super-telephoto shooting. Users can select Mode 1 for standard correction or Mode 2 for panning, where the system automatically detects the direction of movement and stabilises only on the perpendicular axis to keep moving subjects sharp.

Optimised for video
This super-telephoto zoom integrates dedicated features for hybrid shooters. Focus breathing suppression ensures that framing remains consistent during pulls, while micro-step aperture control delivers smooth exposure transitions. The Dual Phase Linear Motor operates with minimal noise, reducing distractions during recording. Photographers can select linear focus ring behaviour for predictable, mechanical-style pulls or non-linear control for variable speed adjustments, ensuring precision when adapting to different shooting styles.

Handling and controls
With the LUMIX S 100-500mm f5-7.1 marking Panasonic’s entry into the super-telephoto wildlife and sports market, the company has tackled long-standing handling challenges through targeted optimisations for stability and control. The new Tight-Smooth Ring allows photographers to adjust zoom resistance, keeping movements light and responsive when tracking action, or firm and steady to prevent zoom creep at high angles. A customisable focus ring can be reassigned to functions such as aperture or crop zoom, while a focus button and dedicated switches for AF/MF, O.I.S. and focus limiting ensure key settings stay close to hand. The rotating tripod collar maintains balance and allows for quick switching between portrait and landscape orientations without disturbing the composition.

Weather-resistant build
To provide users with enhanced protection in the field, Panasonic has designed the LUMIX S 100-500mm f5-7.1 with a dust- and splash-resistant build and freeze resistance down to -10°C. A fluorine coating on the front element repels water, oil, and dirt, making the lens surface easier to keep clean when working outdoors. Despite its extended telephoto reach, the lens remains compact, measuring 196mm in length and weighing 1285g.

The press release can be found here

파나소닉에서 새로운 바디라도 나오는 줄 알았습니다..ㅋ

바디가 아닌 렌즈 출시였네요.

초망원 화각에 해당하는 100-500 망원렌즈 입니다.

100-500mm 초점 거리를 커버하는 가장 긴 S 시리즈 줌 렌즈
초광각 도달 범위와 196.1mm 휴대용 폼 팩터의 균형을 맞춥니다
12개 그룹에 19개의 요소가 포함된 프리미엄 구조
수차를 억제하기 위해 2개의 UED, 2개의 ED 및 2개의 UHR 요소가 포함되어 있습니다
11날 다이어프램은 자연스럽게 원형 보케를 만듭니다
가장 가까운 초점 거리인 0.8m(폭)와 1.5m(텔레포토)
세미 매크로 조성물의 최대 배율은 500mm에서 0.36배입니다
고속, 정밀, 무음 자동 초점을 위한 듀얼 페이즈 리니어 모터
듀얼 I.S. 2 안정화 시스템, 최대 7회 정지 보상 달성
촬영 스타일에 맞게 줌 저항을 조절하는 타이트 스무스 링
줌 작동 중에 선형 또는 비선형 응답으로 수동 초점 지원
초점 호흡 억제 및 미세 단계 조리개 제어
먼지, 물보라, 영하 10도까지 얼어붙을 수 있는 날씨 밀폐형 본체
불소 코팅 전면 요소가 기름과 먼지를 밀어내어 유지 관리가 용이합니다
선택적 액세서리 부착을 위한 82mm 필터 나사산

https://leicarumors.com/2025/09/24/panasonic-announced-a-new-lumix-s-100-500mm-f-5-7-1-o-i-s-lens-for-l-mount.aspx/

Marco Bakker posted this image of the Samyang booth at the IBC show in Amsterdam. And from left to right you see these lenses:

• 14-24mm f/2.8 L-mount lens (E-mount lens version is already listed here).
• 24-60mm f/2.8 L-mount lens (E-mount lens announced to come in autumn)
• A newly announced 60-180mm f/2.8 FE lens (likely to be available later for L-mount too)
• And an impressive 28-135mm f/2.8 FE lens (likely to be available later for L-mount too)

There’s no word yet on pricing or release dates, but 2026 is shaping up to bring a flood of fast f/2.8 zooms — and that’s seriously exciting!

삼양이 한동안 L마운트 렌즈 출시가 없어서, 유저들은 꽤나 궁금해 했을텐데요.

이번에 4개 렌즈를 한꺼번에 출시하나봅니다.

물론 E마운트로 출시된 렌즈도 있어서 살짝 식상하기도 하지만,

그래도 잊지 않고 발매해주는 것에 감사할 따름이죠.

2.8 줌렌즈들이 대부분인데 14-24, 24-60, 60-180, 28-135 렌즈가 나옵니다.

슈나이더 합작 렌즈이니 화질은 당연히 좋을테지만,

일단 자세한 리뷰가 얼른 나왔으면 좋겠네요~

https://www.l-rumors.com/great-news-schneider-kreuznach-and-samyang-announced-four-new-l-mount-full-frame-autofocus-lenses/

Leitz released new Hektor T2.1 mirrorless cinema lenses for Sony E, Canon RF, Nikon Z, and L-mount:

• Pre-order at B&H Photo
• Additional Information
• Product page
• Related videos
• Press release:

Introducing Leitz HEKTOR Lenses for Mirrorless Cameras

SEPTEMBER 10, 2025

Wetzlar, Germany – September 10, 2025 – Leitz Cine enters the mirrorless lens market with the Leitz HEKTOR lenses, a brand new set of prime lenses designed specifically for cameras using mirrorless mounts. The lenses come in six focal lengths: 18, 25, 35, 50, 73 and 100mm, all T2.1. The user interchangeable mount options include E, L, RF and Z for maximum flexibility.

The Leitz HEKTOR lenses prioritize two things: image character and build quality. The look of HEKTOR has been curated by examining lenses from the past 100+ years of cinema and photography history. The look is inspired by classic M lenses from the 1930s and 1950s, as well as Petzval lenses, to combine pleasing characteristics like dynamic flare, field curvature and spherical aberration into something that is wholly unique while feeling familiar. By utilizing non-aspherical designs reminiscent of the 1980s/90s, these characteristics come into the lenses naturally. Modern touches include coatings that control veiling glare better than older lenses as well as significantly reduced chromatic aberration.

The Leitz Cine brand has always stood for a high standard of quality, and although these lenses were designed for less expensive camera systems than Leitz’s high-end glass, the same amount of care, consideration and attention to detail exists in the HEKTOR lenses. These lenses were designed in Germany and are manufactured and assembled in Germany by the same hands that build other Leitz lenses like SUMMILUX-C and HUGO. While more expensive than most mirrorless lenses, the Leitz HEKTOR series is built to last, to be easily serviced, and with available parts for a reliable, long-term investment.

The lenses are fully manual and feature an 80mm outer diameter. The 25-100mm lenses have a 77mm screw-in filter thread. Focus and iris ring locations match for quick lens changes with 120° and 49° rotations, respectively, making them easy to work with when operating and pulling focus. A nine-blade iris maintains a round shape through all stops for consistency in the out-of-focus areas.

“We spent a lot of time exploring and testing to get the character of these lenses right, to make them something that would be appealing to modern cinematographers but timeless in their beauty,” said managing director Rainer Hercher. “Too often lenses are designed to be as fast, clear and as inexpensive as possible without giving attention to the attributes that create a great, compelling image. In listening to our customers we heard them asking for something with soul, with emotion, something that could help elevate their work. The Leitz HEKTOR lenses are for them.”

The name HEKTOR is a reference to the original Leica Hektor lenses created in the 1930s by legendary lens designer Max Berek for Leica’s original screw mount 35mm cameras. Though not an adaptation of those lenses, the new HEKTOR series pays homage to the inspiration they provided with a silver anodized finish and the inclusion of a 73mm, an iconic lens in the original line.

In addition to the official Leitz videos I mentioned in my original post, here is some additional coverage of the new Hektor T2.1 mirrorless cinema lenses with user-interchangeable E/RF/Z/L mounts (available for pre-order at B&H Photo):

라이카에서도 시네마렌즈가 종종 발매되곤 합니다.

이번에 6가지 화각의 렌즈가 출시되는군요.

영상 쪽에는 큰 관심이 없어서 자세히는 모르지만.. 좋을테고 가격도 만만치 않을 느낌..? ㅎ

L마운트도 당연히 출시되기 때문에 SL 사용자에게 의미있는 포스팅이 아닐까 싶습니다.

https://leicarumors.com/2025/09/10/leitz-released-new-hektor-t2-1-mirrorless-cinema-lenses.aspx/

https://leicarumors.com/2025/09/10/additional-coverage-of-the-new-leitz-hektor-t2-1-mirrorless-cinema-lenses-with-user-interchangeable-mounts-e-rf-z-l.aspx/

As already reported, today Viltrox joined the L-mount alliance:

Viltrox joins the L-Mount Alliance and utilise the L-Mount standard developed by Leica Camera AG in future product development

As a new member Viltrox is the 10th company to join the L-Mount Alliance since the public announcement of the L-Mount standard at photokina in 2018. The alliance consists of founding members Leica Camera AG, SIGMA, and Panasonic, as well as Ernst Leitz Wetzlar GmbH, DJI, ASTRODESIGN, SAMYANG Optics, Blackmagic Design and SIRUI. This collaboration enables Viltrox to develop products with the L-Mount which will present great benefits for a wide range of photo and video applications.

The L-Mount was developed by Leica Camera AG with the aim of providing customers with a future-proof, flexible, robust and precise bayonet mount that would fulfil even the most demanding photographic needs. Since its initial appearance, development of the L-Mount was continued by Leica as well as by its strategic partners. This led to significant improvements and an effectively new and more sophisticated L-Mount technology, resulting in a constantly growing portfolio of cameras and lenses from all existing and new alliance partners, currently comprising over 20 cameras and more than 120 lenses. All lenses made for the different systems within the L-Mount Alliance can be used on all cameras without adapters and without any functional limitations – this illustrates one of the numerous benefits of the common bayonet.

Valentino Di Leonardo, Managing Expert Technology & Licensing at Leica Camera AG: “The L-Mount Alliance has been a key pillar of Leica Camera AG’s strategy from the beginning, standing for openness, innovation, and the highest standards in photography. With its bayonet system, it offers outstanding flexibility across a wide range of photographic and videographic applications. By welcoming Viltrox as a new member, we are strengthening our network with a highly regarded partner that shares our vision of a forward-looking and versatile system. Viltrox contributes valuable expertise in high-quality lens development and brings fresh momentum to our ecosystem. Together, we aim to offer photographers and filmmakers an even more comprehensive and flexible system that meets the most demanding requirements.”

DAI JINHUI (Daniel Dai), CEO at Viltrox: “Viltrox has joined the L-Mount Alliance, further expanding the system’s reach with high-quality, versatile, and accessible lenses. This collaboration complements Leica’s portfolio by inspiring a new generation of creators—from passionate enthusiasts to seasoned professionals—while reinforcing a dynamic and inclusive ecosystem alongside Alliance partners DJI, Panasonic, Blackmagic Design, and Sigma.”

About the L-Mount Alliance
The members of the L-Mount Alliance all utilise the L-Mount Standard developed by Leica Camera AG for mirrorless camera systems. Currently, the members of the Alliance are Leica Camera AG, SIGMA, Panasonic, Ernst Leitz Wetzlar GmbH, DJI, ASTRODESIGN, SAMYANG Optics, Blackmagic Design, SIRUI and Viltrox. The partners in the alliance utilise the L-Mount Standard for cameras and lenses that are offered under their own brand names. They market their respective products as competitors, and each with their own product and marketing strategies. The alliance works together on advancing the technology of the L-Mount Standard.

About the L-Mount Standard
To ensure maximum product diversity, the diameter of 51.6 millimetres was chosen to make the L-Mount suitable for use not only with full-frame cameras, but also on cameras with APSC sensors. The short register of only 20 millimetres enables a short distance between the lens and the sensor, which in turn allows for a considerably more compact construction – which is particularly helpful for developments in the wide-angle lens segment. To ensure resistance to even the most extreme conditions and guarantee maximum reliability for many years of intensive use, the camera bayonets are manufactured from wear-resistant stainless steel, with four flange segments that prevent canting and ensure a secure and precisely positioned lens attachment. The standardised L-Mount contact strip facilitates trouble-free communication between the electronic components of the lens and the camera – including the possibility of installing future firmware updates for lenses to react to technological advances and exploit their full performance potentials of the lenses. Further information can be found under: www.l-mount.com

About Viltrox
Viltrox, established in 2009, is a globally recognized leader in camera lenses and adapters, specializing in high-performance equipment for photography and cine. Its portfolio includes cinema and autofocus lenses – such as the LAB, Pro, and Air series launched since 2018 – along with monitors, adapters, and lighting solutions.
Driven by innovation, the company expanded further into cine in 2022 with the “EPIC” anamorphic and “LUNA” zoom lenses, offering cost-effective solutions for filmmakers worldwide.
Renowned for their exceptional optical quality, reliability, and accessible pricing, Viltrox products reflect a commitment to engineering excellence and user-centered design, empowering content creators across still and motion photography domains.

2018년 L마운트가 만들어지고 10번째 기업이 탄생했다고 하네요.

빌트록스를 기다려 온 분들이 많으실 것 같습니다.

85미리를 포함해서 훌륭한 단렌즈들이 꽤 많은 것으로 알고 있는데

SL 유저분들께는 좋은 소식이 아닐까 싶습니다.

L마운트가 초창기에는 일본 브랜드 일부만 참여하면서 좀 고생하는 것 같았는데..

중국 브랜드들이 본격적으로 대거 참여하면서 가성비 렌즈군과 함께

라이카 렌즈군도 갖추게 되어서 다양한 가격대의 제품들을 선택할 수 있게 된 것 같습니다~