DK-Optic is a new Chinese lens manufacturer, and they will soon introduce a new Impastolite 50mm f/1.5 lens for Leica M-mount (already listed for sale on eBay) – this is a modern reproduction of the legendary vintage Dallmeyer Septac Anastigmat 50mm f/1.5 lens:

Background on the Original Dallmeyer Septac

The original Dallmeyer Septac Anastigmat 50mm f/1.5 dates back to the 1950s (with prototypes as early as the late 1920s or 1930s) and was produced by the British optical company J.H. Dallmeyer. It’s a rare cine and still photography lens, originally an option for cameras like the Ilford Witness, and is considered one of the fastest and most coveted 50mm lenses from that era. The design is a 7-element in 4-group Sonnar-type anastigmat, based on earlier innovations like the 1938 Simlar lens. Vintage examples exist in uncoated and coated (e.g., DC coated) versions, with the uncoated ones being particularly rare and prized for their “oil-painting” style bokeh, soft melting highlights, and three-dimensional rendering that doesn’t match modern sharp optics. Originals are extremely scarce, with auction prices reaching around £25,000 (about $32,000 USD) for well-preserved copies.

Specifications the DK-Optic Impastolite 50mm f/1.5 lens

• Focal Length: 50mm
• Maximum Aperture: f/1.5
• Mount: Leica M (with rangefinder coupling for accurate focusing on M-series cameras)
• Optical Design: Replica of the original 7-element Sonnar-type, but with new elements for improved consistency
• Build: Compact and robust, available in two finishes (black or silver)
• Coatings: Black version features amber coatings for controlled flare; silver version is uncoated for a more vintage, high-contrast look with potential for stronger flare and glow
• Other: Designed to evoke the original’s artistic qualities, such as soft, swirly bokeh, melting highlights, and a painterly feel in out-of-focus areas, while being suitable for both stills and cine use

A few pictures from the making of the DK-Optic Impastolite 50mm f/1.5 lens:

Next, a few comparisons with the original Dallmeyer Septac Anastigmat 50mm f/1.5:

Sample photos from the DK-Optic Impastolite 50mm f/1.5 lens:

새로운 렌즈 제조사의 등장이네요. 이번에도 중국 입니다..ㅋ

그들의 기세와 기술력은 무서울 정도.,.

제조사 이름은 DK 옵틱스네요. 50.5 렌즈를 출시했습니다.

Dallmeyer Septac Anastigmat 50mm f/1.5 lens 를 복각해서 내놓은 듯 합니다.

이베이 판매가격을 보니 500만원이 넘는 듯 한데..가격이 만만치 않네요…^^;;;

https://leicarumors.com/2025/11/11/new-dk-optic-impastolite-50mm-f-1-5-lens-for-leica-m-mount.aspx/

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The previously reported Leica SL3 Reporter camera is now officially announced.

This post is still being updated – refresh this page for the latest version.

The Leica SL3 “Reporter” camera features a scratch-resistant olive-green finish, no red dot, aramid-fabric armoring, black buttons, a black display frame, and black dials. The US price is $7,995 (the regular SL3 version is $7,485). The Reproter edition will include a BP-SCL6 battery, USB-C cable, strap, and a quick-start guide. The technical specifications are identical to the existing Leica SL3 model:

• Full-Frame CMOS Sensor with Triple Resolution Technology 60/30/18 MP
• ISO range from 50 to 100.000
• New Hybrid AF-System
• Maestro IV Processor with L2 Technology with 8GB of buffer memory
• Optimized user interface
• Full metal housing with IP54 certification
• EyeResĒį5.76 Mio. dots OLED-Viewfinder with up to 120fps
• Optimized ergonomics, size, and less weight
• Tiltable high-res touchscreen
• Timecode Interface
• Record up to 8K with codecs H.265 and ProRes by Apple

Additional informtion on the new Leica SL3 Reporter camera (see also the report from Reddotforum):

The SL3 Reporter continues a longstanding tradition of cameras purpose-built for exceptional durability. The scratch-resistant olive-green finish and robust aramid trim ensure maximum functionality even in the harshest conditions, while also defining the distinctive aesthetics that make the Reporter design so highly regarded. This design variant builds on the cutting-edge technology of the Leica SL3. Its 60 MP full-frame sensor with Triple Resolution Technology allows images to be captured at 60, 36 or 18 megapixels, and supports video recording at up to 8K resolution. An intuitive operating concept, clearly divided into photo and video functions, makes working with the SL3 Reporter a real pleasure. Seamless connectivity to the Leica FOTOS App, with extensive options for editing and sharing, ensures a professional workflow. Quality and precision “Made in Germany”.

High Performance Optimization

Coupling a powerful 60MP full-frame BSI CMOS sensor with the Maestro IV image processor, the SL3 promises swift focusing performance and excellent image quality with 15 stops of dynamic range and 5-axis sensor-shift image stabilization. Improvements to the camera body include a 3.2″ 2.3m-dot tilting touchscreen LCD for dynamic viewing options while capturing imagery, a CFexpress Type B slot and SD UHS-II slot for file-saving versatility, and a reduced weight of 1.7 pounds. Also noteworthy is the SL3’s hybrid autofocusing system, which integrates Phase Detection AF with Contrast Detection AF and Object Detection AF, resulting in reliable performance in a multitude of shooting scenarios. These critical improvements to the camera’s hardware and body have positioned this iteration to leap ahead of its predecessors.

60MP Full-Frame BSI CMOS Sensor and Maestro IV Processor

At the front and center of the SL3’s notable upgrades are its 60MP full-frame BSI CMOS sensor and Maestro IV image processor. This duo combined with 8GB of buffer memory allows for incredible capturing speeds as well as superb image quality. This is double the amount of buffer memory available in the SL2-S, which means you’ll experience noticeable speed improvements for all operations, including startup time. Additionally, this improved processor provides a wide ISO sensitivity range from 50-100000.

Triple Resolution Technology

Choose between 60, 36, or 18MP output while still utilizing the full sensor area with Leica’s Triple Resolution Technology. This unique pixel binning process allows you to capture DNG and JPEG files at smaller sizes while still benefiting from the sensor’s rich 14-bit color depth and 15-stops of dynamic range.

Hybrid AF System with PDAF

Utilizing a hybrid AF system for optimized focusing, the SL3 features Phase Detection AF with Object Detection AF and Contrast Detection AF, ensuring speedy shifts in focus as well as reliable performance in low light scenarios. With this improved focusing system, the camera tracks eyes, faces, bodies, and animals much more effectively.

8K Video Recording & ProRes 1080p

• Take full advantage of the SL3 with its impressive video capturing capabilities. All video resolutions, including 8K, frame rates, and quality settings can be recorded internally or externally without limit.
• ProRes 422 HQ recording can be done with Full HD resolution at frame rates up to 60p.
• HDMI 2.1 Type A and USB-C ports provide greater access to accessories like external recorders, gimbals, and power banks, making the SL3 a great tool for video creation.
• 5-Axis Image Stabilization
• Complementing this camera’s powerful sensor is a 5-axis sensor-shift image stabilization system that provides up to 5-stops of shake reduction, allowing you to capture sharper handheld images.

Body Design Updates & Additional Features

• One CFexpress Type B slot and one SD UHS-II slot are available for added versatility for file saving, allowing you to separate JPEG and raw files to different cards or save duplicate files to each card.
• A USB-C port allows for fast file transferring and tethering with full support for Capture One, Adobe Photoshop, and Lightroom. Also supports high-speed in-camera battery charging.
• A full-size HDMI 2.1 Type A port benefits video applications and a 3.5mm microphone and headphone jacks for advanced audio recording needs.
• Its durable magnesium and aluminum construction withstands tough weather conditions and is splash and dust protected with a rating of IP54.
• Video recording capabilities: Video recording capabilities: 8K, C8K, 4K, C4K, FHD, MP4 + MOV, H.265, and ProRes 1080p.
• Leica L2 technology allows for a vast selection of L-mount compatible lenses.
• Mechanical shutter speeds up to 1/8000 of a second.
• Flash sync speeds up to 1/200.
• Built-in Wi-Fi 5 (MIMO) and Bluetooth 5.1 work in conjunction with the Leica FOTOS app for wireless file transferring and remote camera control.
• New graphical user interface with new icons and custom font for a more modern design and increased menu legibility.
• Support for Live View portrait and landscape shooting with orientation auto-detection.
• Photocentric menu settings are highlighted in red, while video centric settings are highlighted in yellow, aligning with the design language of the Leitz Cine lenses.

Press release:

A robust design variant of the mirrorless Leica full-frame system camera perfectly suited to the most exacting photographic requirements.

Leica Camera AG is pleased to announce the launch of the Leica SL3 Reporter, a new addition to the company’s Reporter design series. This particularly robust version of the Leica SL3 represents the latest in a long line of specially developed Leica cameras. The Leica SL3 Reporter is equipped with features that have been specifically designed for the harsh conditions of reportage and press photography. This enables maximum precision even under the most adverse shooting conditions. The product combines maximum functionality and reliability with a unique camera design that is both understated and striking.

The Leica SL3 Reporter features a particularly scratch-resistant dark green finish and an aramid fabric cover, which provide additional protection for the robust camera body against abrasion and environmental influences. Furthermore, the special trim, with its unique texture, also offers significantly improved grip. This ensures enhanced stability when taking photographs and filming. Over time, the trim develops a unique patina that reflects the traces of its photographic journey and the character of a true reportage camera. The distinctive design is characterised by a combination of dark green paintwork with black control elements, and the absence of the red Leica logo, which serves to emphasise the SL3 Reporter’s suitability for challenging working environments.

In terms of its technical specifications, the design variant corresponds to the Leica SL3 series model. This model combines state-of-the-art technology with outstanding image quality of up to 60 megapixels, precise autofocus, the best materials and ‘Made in Germany’ manufacturing quality. This product is robust and reliable, and is perfect for all your photography and videography needs. It is also very easy to use. A fast connection to the Leica FOTOS App facilitates a seamless professional workflow.

The Leica SL3 Reporter is now available worldwide in all Leica Stores, the Leica Online Store and specialist retailers at a price of €7,200 including VAT.

드디어 나왔네요. SL3 리포터 에디션이 공식 출시되었습니다.

예상했던 그대로, 사진도 그대로 쓰였네요..ㅎ

SL3 와 스펙은 동일해서, 외관만 차이가 있다고 보시면 되겠습니다.

가격은 살짝 더 비싼 수준이겠군요.

리포터 시리즈를 좋아하시는 분들께는 좋은 선택지가 될 듯 하네요.

https://leicarumors.com/2025/11/06/leica-sl3-reporter-camera-officially-announced.aspx/

https://www.reddotforum.com/content/2025/11/leica-sl3-reporter/

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Leica released new firmware update version 2.6.0 for the M11, M11-P, M11-M, and M11-D cameras:

• Leica M11 v2.6.0
• Leica M11-P v2.6.0
• Leica M11-M v2.6.0
• Leica M11-D v2.6.0

Here is what’s new:

• The function White Balance Adjustment allows the user to make custom adjustments to the sensor white point calibrated ex works. This adjustment will affect the automatic White Balance as well as the fixed presets (Film Style).
• Lens detection now offers additional flexibility when using Leica-M lenses with 6-bit encoding. Even if the lens type is detected automatically, the user can now additionally select another lens type from the list of M lenses. The list is available for all profiles and will be included when profiles are exported to an SD card.
• The Dust Protection function can now also be controlled via Leica FOTOS (Version 5.5.1 and higher)
• In rare cases, the connection between the camera and smartphone was severed by the operating system during image downloads and could not be restored afterwards. This issue was resolved.
• A bug was fixed where, in exposure bracketing with Auto ISO, the second and third shots were at times taken with unnecessarily high ISO values.
• The issue, where images were sometimes misaligned after being transferred to the computer if the camera was quickly rotated from horizontal to vertical during shooting was fixed.

화이트 밸런스 조정 기능을 사용하면 센서 화이트 포인트 보정된 엑스워크를 사용자 지정으로 조정할 수 있습니다. 이 조정은 자동 화이트 밸런스뿐만 아니라 고정된 프리셋(필름 스타일)에도 영향을 미칩니다.

이제 렌즈 감지 기능은 6비트 인코딩이 있는 라이카-M 렌즈를 사용할 때 추가적인 유연성을 제공합니다. 렌즈 유형이 자동으로 감지되더라도 사용자는 이제 M 렌즈 목록에서 다른 렌즈 유형을 추가로 선택할 수 있습니다. 이 목록은 모든 프로필에 대해 사용할 수 있으며 프로필을 SD 카드로 내보낼 때 포함됩니다.

먼지 보호 기능은 이제 Leica FOTOS(버전 5.5.1 이상)를 통해서도 제어할 수 있습니다

드물게 이미지 다운로드 중 운영 체제에 의해 카메라와 스마트폰 간의 연결이 끊겼다가 나중에 복원할 수 없는 경우도 있었습니다. 이 문제는 해결되었습니다.

Auto ISO를 사용한 노출 브래킷에서 불필요하게 높은 ISO 값으로 두 번째와 세 번째 샷을 촬영하는 버그가 수정되었습니다.

촬영 중 카메라를 수평에서 수직으로 빠르게 회전시키면 컴퓨터로 전송된 후 이미지가 때때로 어긋나는 문제가 해결되었습니다.

https://leicarumors.com/2025/10/23/leica-released-new-firmware-update-version-2-6-0-for-the-m11-m11-p-m11-m-and-m11-d-cameras.aspx/

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The previously reported 7Artisans AF 35mm f/1.8 lens for L mount is now officially announced.

Check pricing and availability at:

• Amazon
• B&H Photo
• 7Artisans store (get $15 off with code AF3518):

7아티산에서 L마운트용 35.8 렌즈를 출시했습니다.

요즘은 모든 제조사가 L마운트를 쏟아내는 느낌이네요 ㅎㅎ

게다가 E/L/Z 마운트를 기본적으로 초기 물량에 내놓는 것 같아서 더 반갑습니다.

가격은 $299 정도로 책정되었고, 크기는 조금 큰 편이라고 생각되는데

아마도 화질에 중점을 둬서 크기는 살짝 포기한 듯 하네요.

저 크기에 35.4 였으면 정말 좋았을텐데! 하는 아쉬움이..

최근 중국 제조사들의 L마운트 AF 렌즈들 하우징이 모두 비슷한 느낌입니다.

서로서로 단합해서 공동제작해서 제조하는 느낌이 들 정도로…ㅎㅎ

https://leicarumors.com/2025/10/15/new-lens-for-l-mount-7artisans-af-35mm-f-1-8.aspx/

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LOBA Winner 2025 © Alejandro Cegarra

LOBA Newcomer 2025 © Serghei Duve

A quick update to my last post about the Leica M11 Monochrom camera marble sculptures in Leica World – this was all part of the Celebration of Photography event for the 45th Leica Oskar Barnack Award at the Wetzlar headquarters – the first event in October I have been reporting about:

Leica Camera AG Presents 45th Leica Oskar Barnack Award at Its Wetzlar Headquarters During the Celebration of Photography

Wetzlar, 10 October 2025

This year’s Celebration of Photography was a truly special occasion. Alongside this year’s award recipients, many past winners, nominators and gallerists helped make the anniversary a vibrant reflection of what the Leica Oskar Barnack Award (LOBA) has represented since 1979: photography as a space for human encounters, as an art of seeing and understanding, and as a bridge between cultures and generations.

The LOBA award ceremony stirred emotions, sparked inspiration and captured imaginations – becoming a moving tribute to the power of photography and the individuals behind the camera. With heartfelt thanks to the photographers who shine light on stories with empathy, courage and passion, Leica highlighted the LOBA’s key purpose: to spotlight the moments that define our shared memory.

The 45th LOBA edition powerfully affirmed photography’s vital role in shaping our understanding of the world. It creates encounters, demands accountability and sustains a timeless dialogue between vision and humanity.

2025 LOBA Winners: Alejandro Cegarra and Serghei Duve

The main LOBA prize was won by photographer Alejandro Cegarra, who was born in Venezuela in 1989 and lives in Mexico. He already won a LOBA in 2014, at a time when he was still a newcomer. His winning series this year, The Two Walls, came to life in the border region between Mexico and the US, where many migrants become stranded due to restrictive asylum policy, often in hopeless circumstances. Cegarra’s compassionate imagery centres chiefly on the personal destinies of those he photographs. LOBA Newcomer Serghei Duve, who was born in Moldova in 1999, presents his family’s enduring connection to their homeland of Transnistria in his extraordinary series Bright Memory. This is a region that declared independence from the Republic of Moldova 35 years ago and remains internationally unrecognised, with support primarily from Russia to this day.

2025 Shortlist Shown in Major Exhibition at Ernst Leitz Museum

The vernissage of the LOBA exhibition was the standout event on the evening of 9 October. Alongside the two winning series, the full 2025 LOBA Shortlist – featuring 10 additional entries – is being showcased in an impressive exhibition at the Ernst Leitz Museum until 11 January 2026. The works reflect contemporary themes and pressing global issues: the impact of the climate crisis, the devastation of war and its toll on civilians, the causes and consequences of displacement and migration, experiences of social exclusion and political repression, as well as the remarkable self-empowerment of marginalised communities. The 2025 LOBA exhibition is a powerful showcase of courageous narratives and poignant destinies, which – amid harsh realities – also unveils moments of hope and resilience.

The winning series and the 2025 LOBA Shortlist have been announced and can now be seen in Wetzlar

Alejandro Cegarra and Serghei Duve are the winners of this year’s Leica Oskar Barnack Award (LOBA). They were honoured during a ceremony on the evening of 9 October 2025 at the Leica headquarters. The LOBA award presentation represented yet another highlight in the Leica centennial celebrations, during which Leica’s history has been lauded under the motto “100 Years of Leica: Witness to a Century”.

In the 45th edition of the prestigious photography prize, the LOBA jury handed the main award to the photographer Alejandro Cegarra, who was born in Venezuela and lives in Mexico, for his series The Two Walls. The German photographer Serghei Duve was the winner in the LOBA Newcomer category for his series Bright Memory. The winning series prevailed over a wide field of candidates, with more than 300 submissions having been suggested to the LOBA jury by around 120 experts from the international photography scene in around 50 countries. The Leica Oskar Barnack Newcomer Award is bestowed in collaboration with 20 international institutions and universities from 17 countries.

Alejandro Cegarra: The Two Walls – 2025 Leica Oskar Barnack Award Winner

Photographer Alejandro Cegarra travelled the borderland between USA and Mexico for this long-term project. With his empathic black-and-white pictures, he draws attention to the plight of migrants and refugees and sheds light on their dramatic situation. Mexico was once known as a safe haven for refugees. In recent years, however, the country has entered into a partnership with anti-immigration politicians in the United States. In this series, Cegarra focusses on the struggles of migrants and their families who are suffering under harsh and inhumane conditions at Mexico’s border.

The winning series was suggested by the Columbian photographer and LOBA nominator Federico Rios Escobar.

Statement by Alejandro Cegarra: “I worked on this series from 2018 to January of this year and was always between the borders. I wanted to concentrate on humanity and universally human emotions. In total, I took 35,000 pictures – of which I chose 20 for the LOBA series.”

Alejandro Cegarra was born in Venezuela in 1989 and has lived in Mexico since 2017. He began his career as a photographer in 2012 when he started working for Venezuela’s biggest newspaper Últimas Noticias. Since then, his work as a freelance photographer has been published by The New York Times, Bloomberg, National Geographic, The New Yorker, The Washington Post and TIME. He has received multiple awards, including the Getty Editorial Grant in 2017, as well as the Global Award for Long-Term Projects from World Press Photo in 2019 and 2024. He already won the Leica Oskar Barnack Newcomer Award in 2014 for his series The Other Side of the Tower of David about squatters at an unfinished high-rise in Venezuela’s capital Caracas. Cegarra has also been a LOBA nominator multiple times.

Serghei Duve: Bright Memory – 2025 Leica Oskar Barnack Newcomer Award

Through his very personal series Bright Memory, the photographer Serghei Duve, who started life in the Republic of Moldova, explores his family’s enduring connection to Transnistria – a territory that declared independence from Moldova in 1990, yet remains unrecognised internationally and supported solely by Russia. In his pictures, he tries to visualise the sentiment captured by the Russian expression “bright memory”, reflecting everyday life shaped by nostalgia and division.

The series was nominated for the LOBA Newcomer category for young photographers up to the age of 30 by the Visual Journalism and Documentary Photography department at the Hochschule Hannover – University of Applied Sciences and Arts.

Statement by Serghei Duve: “My work is about telling personal stories, but also about laying everything bare to draw attention to broader themes. I chose the title for this work after my grandfather died in March 2023 and one of my relatives offered his condolences with precisely these Russian words: ‘Swetlaja Pamiat’. Even if it’s actually just a cliché in Russian, these words touched me, and I found them to be very appropriate.”

Serghei Duve was born in Chișinău, Moldova, in 1999. When he was one, his parents moved with their family to Hanover, Germany. He went to preschool and school there while growing up with Russian culture at home and speaking to his parents in Russian. He became interested in photography at the age of 10 when he was given a camera for his birthday. He has been studying in the Visual Journalism and Documentary Photography department at the Hanover University of Applied Sciences and Arts since 2021. In his projects, Duve explores identity and origin, often in connection with his own roots and experience.

Jury statement by Karin Rehn-Kaufmann, Art Director and Chief Representative of Leica Galleries International: “This year’s Leica Oskar Barnack Award jury reached their decision with close consideration and a deep appreciation for photography’s social impact. Alejandro Cegarra’s path is particularly moving: as a former winner of the Newcomer category, he returns with his impressive series The Two Walls – a work which highlights the topics of division, migration and human dignity with vivid imagery. His graduation from newcomer to the main category is a first in the history of the award and shows how photographic voices grow and are becoming more urgent than ever.”

Jury statement by Felix Hoffmann, Curator at Foto Arsenal Vienna (Austria): “The LOBA has established itself as a key reference point for the international photography scene, embodying quality, diversity and social relevance. The wide range of topics was striking this year: from very personal stories to global social issues.”

Jury statement by Jane Evelyn Atwood, photographer and 1997 LOBA winner (USA/France): “The LOBA is a highly prestigious award, widely recognised for its excellence. For those fortunate and talented enough to receive it, it marks an exceptional achievement. Winning the LOBA brings recognition, and people will likely see your work in a different light.”

Jury statement by Curt Holtz, Photography and Architecture Editor at Prestel Publishing (Germany): “The selection of photographers and pictures was very diverse, coming from around the globe. I think the LOBA is very important, especially for photographers working in the field of documentary photography. But it could receive greater attention and become more well known, as many artists have not heard about it (yet) and could really benefit from it.”

The LOBA is among the most renowned photography awards worldwide: the main LOBA prize is 40,000 euros in addition to Leica camera equipment worth 10,000 euros. The winner of the LOBA Newcomer Award receives 10,000 euros and a Leica Q3.

All of the LOBA series are now being presented at the Ernst Leitz Museum Wetzlar with the kind support of WhiteWall and in a comprehensive accompanying catalogue. Following the show in Wetzlar, the 2025 LOBA exhibition will be displayed at various Leica Galleries and featured at photography festivals.

Further information can be found at www.leica-oskar-barnack-award.com.

올해 사진 기념 행사는 정말 특별한 행사였습니다. 올해 수상자들 외에도 많은 과거 수상자, 후보자, 갤러리스트들이 1979년부터 라이카 오스카르 바낙상(LOBA)이 상징해 온 사진을 생생하게 반영하는 데 기여했습니다: 사진은 인간과의 만남의 공간, 보고 이해하는 예술, 문화와 세대를 잇는 다리로서의 역할을 합니다.

LOBA 시상식은 감정을 자극하고 영감을 불러일으키며 상상력을 포착하여 사진의 힘과 카메라 뒤에 있는 개인들에게 감동적인 헌사가 되었습니다. 공감, 용기, 열정으로 이야기를 빛내주는 사진작가들에게 진심 어린 감사를 표하며, 라이카는 LOBA의 핵심 목적인 우리의 공유된 기억을 정의하는 순간들을 조명하는 것을 강조했습니다.

제45회 LOBA 에디션은 사진이 세상에 대한 우리의 이해를 형성하는 데 중요한 역할을 한다는 것을 강력하게 확인했습니다. 사진은 만남을 만들고, 책임을 요구하며, 비전과 인류 사이의 끊임없는 대화를 이어갑니다.

2025 LOBA 우승자: 알레한드로 체가라와 세르게이 듀브

LOBA 주요 상은 1989년 베네수엘라에서 태어나 멕시코에 거주하는 사진작가 알레한드로 체가라가 수상했습니다. 그는 아직 신인이었던 2014년에 이미 LOBA를 수상했습니다. 올해 수상작인 ‘두 벽’은 멕시코와 미국의 국경 지역에서 탄생했으며, 많은 이민자들이 제한적인 망명 정책으로 인해 종종 절망적인 상황에 처해 있습니다. 체가라의 자비로운 이미지는 주로 그가 촬영하는 사람들의 개인적인 운명에 초점을 맞추고 있습니다. 1999년 몰도바에서 태어난 신인 세르게이 듀브는 특별한 시리즈 ‘밝은 기억’에서 가족과 트랜스니스트리아의 영원한 인연을 소개합니다. 35년 전 몰도바 공화국으로부터 독립을 선언한 이 지역은 오늘날까지 주로 러시아의 지원을 받아 국제적으로 인정받지 못하고 있습니다.

2025년 에른스트 라이츠 박물관 주요 전시회에 출품된 최종 후보 목록

LOBA 전시회의 버니지먼트는 10월 9일 저녁에 열린 눈에 띄는 행사였습니다. 두 개의 수상 시리즈와 함께, 2026년 1월 11일까지 에른스트 라이츠 박물관에서 인상적인 전시회에서 총 10개의 추가 출품작이 포함된 2025 LOBA 쇼트리스트가 전시되고 있습니다. 이 작품들은 기후 위기의 영향, 전쟁의 참혹함과 민간인에 대한 피해, 이주와 정치적 억압의 원인과 결과, 사회적 배제와 정치적 억압의 경험, 소외된 공동체의 놀라운 자립 등 현대적인 주제와 긴급한 글로벌 이슈를 반영하고 있습니다. 2025 LOBA 전시회는 용기 있는 서사와 가슴 아픈 운명을 강력하게 보여주는 전시회로, 가혹한 현실 속에서도 희망과 회복력의 순간들을 드러냅니다.

https://leicarumors.com/2025/10/10/leica-camera-presents-45th-leica-oskar-barnack-award-at-the-wetzlar-headquarters-during-the-celebration-of-photography-event.aspx/

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