Today, Leica has announced a new addition to the Classic Line of M lenses. The newly released Leica Summilux-M 50mm f/1.4 in Glossy Black Paint takes the silver chrome reissue of the classic pre-ASPH 50mm Summilux released earlier this year and dresses it in one of Leica’s most coveted finishes. The lens combines the classic optical character of the second-generation Summilux from 1962 with mid-century styling cues and a deep, piano-black paint over brass construction.
Like the silver chrome version, the black paint Summilux retains the solid brass barrel, pre-ASPH optical design, 0.7m close focus, and E46 filter size. For 50mm Summilux aficionados, the lens offers the same faithful recreation of the vintage lens, now in a finish that will develop a distinctive patina as the black lacquer gradually wears to reveal the brass underneath.
With its glossy black paint over brass, the Summilux-M 50mm f/1.4 weighs in at approximately 417 grams, essentially matching the silver version and coming in about 100 grams heavier than the original early-1960s lens. The scalloped focusing ring, red distance scale in feet, and clip-on ventilated hood preserve the lens’s mid-century character. Leica includes a black metal lens cap and a black plastic push-on hood cap for a period-accurate presentation.
The seven element optical design is directly based on the second-generation Summilux-M 50mm f/1.4, produced from 1962 to 2004 with little change over its four-decade run. Renowned for its exceptional image quality and signature rendering, the lens delivers a beautifully soft, luscious bokeh wide-open, making it a go-to choice for portrait photographers and anyone looking to create striking subject isolation. When stopped down, the lens offers improved sharpness and contrast, benefitting from modern optical coatings and manufacturing precision while preserving the unique character of its predecessor.
Because the minimum focus distance remains 0.7m, the entire focusing range is fully rangefinder coupled. This makes the black paint Summilux well-suited for film photographers and rangefinder purists who prefer to work solely through the optical finder without switching to Live View for closer distances. The handling, balance, and focusing feel are all tuned to deliver a traditional M shooting experience with classic rendering and modern reliability.
The Leica Summilux-M 50 f/1.4 in Glossy Black is available immediately in a silver chrome finish, priced at $3,895. As with other recent Leica Classic Line lens launches, supply will be limited at launch. To purchase the Leica Summilux-M 50 f/1.4, you can visit Leica Store Miami by clicking the button below, calling 305-921-4433, or sending an email to info@leicastoremiami.com. If you’re interested in trading in other Leica equipment toward this lens, please note it during the pre-order process.
Proof of Performance Samples
Leica has provided some proof of performance sample images. Click on the thumbnails to see a larger size.
Tech Specs
Lens
Leica Summilux-M 50 f/1.4
Order Number
Glossy Black 11 713
Angle of view (diagonal/horizontal/vertical)
Full-frame (24 x 36 mm) 45°, 38°, 26°
Number of lenses/assemblies
7/5
Position of the entrance pupil before the bayonet
29.8 mm
Focus range
0.7 m to ∞
Focusing
Combined scale meters (m)/feet (ft)
Smallest object field
Full-frame: 275 x 413 mm
Largest scale
1:12.5
Diaphragm Setting/Function
Click-stop diaphragm with half-increment lock settings
https://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/12/image-2.png339560leicakoreahttps://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/08/logo_20250831-300x63.pngleicakorea2025-12-06 09:59:112025-12-06 10:01:45새롭게 출시된 Leica Summilux-M 50mm f/1.4 ASPH 글로시 블랙 렌즈
Four Leica M-Lenses Available as Coveted Product Variants
Leica Camera AG launches three M-Lenses in the Leica Safari Design, as well as a variant featuring a glossy black finish
Leica M-Lenses are legendary, embodying exceptional performance, masterful craftsmanship, and iconic design recognised around the globe. Developed and manufactured in Germany, they epitomise the essence of the Leica philosophy through precision, resilience and enduring value. Leica Camera AG is expanding its portfolio with four M-Lenses that stand out for their special design: the Summilux-M 35 f/1.4 ASPH., the Summilux-M 50 f/1.4 ASPH. and the Summicron-M 28 f/2 ASPH. in the olive-green Leica Safari design, as well as the Summilux-M 50 f/1.4 from the Classic line featuring a glossy black finish.
Leica Safari Editions
By launching these three lenses in the Leica Safari look, the company is continuing the longstanding tradition of this popular design variant. It is characterised by a striking colour scheme featuring a highly durable matt olive-green finish, making it the perfect match for the Leica M11-P Safari. Further design features – such as the silver-chrome brass focus tab, the feet scale in red and the metre scale in white – add stylish accents. As the Leica Safari Edition, the three fast M-Lenses – Summilux-M 35 f/1.4 ASPH., Summilux-M 50 f/1.4 ASPH. and Summicron-M 28 f/2 ASPH. – featuring an extended close focus distance represents an exclusive highlight. In terms of performance and build, they match the respective series models and, as compact wide-angle, reportage, and standard focal lengths, offer maximum freedom and flexibility in image composition.
Design variant with glossy black paint finish
The elegant, glossy black paint finish has long been among the most coveted Leica looks and now lends the design variant of the Summilux-M 50 f/1.4 its distinctive aesthetic. Thanks to its picturesque bokeh when shooting with a wide aperture, the image aesthetics of this fast classic lens are as emblematic of the Leica look as the exclusive glossy black finish. Over the years, frequent use creates a unique patina on the paintwork, partially revealing the brass underneath. In this way, every single unit of this M-Lens, which belongs to the Classic line, gradually reveals its very own story. The design variant is perfectly complemented by a classic round lens hood, likewise finished in glossy black paint.
The recommended retail prices are: €6,200.00 incl. VAT for the Leica Summilux-M 35 f/1.4 ASPH. Safari, €5,000.00 incl. VAT for the Leica Summilux-M 50 f/1.4 ASPH. Safari and €4,250.00 incl. VAT for the Leica Summilux-M 50 f/1.4 glossy black. The three special editions are now available worldwide at Leica Stores, in the Leica Online Store and from authorized dealers.
The Leica Summicron-M 28 f/2 ASPH. Safari will be available worldwide from 12 February 2026 at all Leica Stores, in the Leica Online Store, and from authorised dealers. The recommended retail price is €5,400.00 incl. VAT.
한 번에 4가지 렌즈를 내놓았네요. 주미룩스 50 사파리, 주미룩스 35 사파리, 주미크론 28 사파리, 주미룩스 50 글로시블랙 갑자기 사파리 뽐뿌가 옵니다..ㅎ
https://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/11/image-15.png324560leicakoreahttps://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/08/logo_20250831-300x63.pngleicakorea2025-12-05 08:37:292025-12-05 08:39:08새로운 4개의 라이카 렌즈 출시 (M-mount)
Summilux 28 f/1.7 ASPH. prime lens with macro mode
8K video
Precision hybrid autofocusing
Tilting touch display
Leica FOTOS App support
5.76 megapixel OLED viewfinder
Content Credentials
IP52-rated protection
New accessories
Package includes: BP-SCL 6 Battery, USB-C cable, lens hood, lens cap, hot shoe cover, carrying strap, and a booklet
This post is still being updated – refresh this page for the latest version.
Additional information:
The second monochrome generation of the Leica Q family featuring a dedicated black-and-white sensor
A century ago, the Leica I defied convention and transformed the field of photography by becoming the first mass-produced 35mm camera. This pioneering spirit endures in Leica’s monochrome cameras, defined by an unwavering commitment to pure black-and-white photography and the bold choice to deliberately renounce colour. The same is as true now as it was back then – these cameras embody a mindset of stepping beyond the familiar to explore new visual frontiers. With the arrival of the Leica Q3 Monochrom, a new chapter unfolds in the evolution of compact mirrorless full-frame cameras – dedicated wholly to the art of composing with light and shadow.
As the second monochrome generation in the Q family, the Leica Q3 Monochrom distils photography to its purest form, capturing only brightness data with its dedicated black-and-white sensor. Its 60 MP monochrome sensor with Triple Resolution Technology delivers remarkable sharpness, impressive dynamic range and exceptional tonal depth – no colour filters and no compromising on detail. It captures images at resolutions of 60, 36 and 18 MP across an ISO range from 100 to 200,000, and records video with up to 8K resolution. Alongside the fast Leica Summilux 28 f/1.7 ASPH. with its wide angle and fixed focal length, it delivers low-noise images rich in nuance and texture – consistently, and even in challenging lighting conditions.
The design of the Leica Q3 Monochrom stays faithful to the contemporary Q family while embracing the unmistakable monochrome aesthetic. Made in Germany, it exemplifies functional beauty in its design and superb craftsmanship in the tactile quality of its finest materials. The all-metal body and lens hood are finished in black, with engravings – such as the “Monochrom” lettering on the top plate – rendered in understated black or grey, while the leatherette covering features a refined, stylish finish. Finally, the intentional absence of the red Leica logo accentuates the camera’s minimalist design.
The high-resolution 5.76 megapixel OLED viewfinder, rapid and precise hybrid autofocus, and tilting touch display highlight the Leica Q3’s impressive performance capabilities. The Q3 Monochrom offers maximum creative freedom to dedicated black-and-white photographers and filmmakers by allowing them to effortlessly switch to macro mode at a close focus distance of 17 cm and choose between automatic or manual control. With its IP52 rating, this durable camera is safeguarded against dust and splashes of water.
With digital zoom ranging from 28 to 90 mm and a whole host of video features, the Leica Q3 Monochrom provides extensive possibilities for capturing black-and-white imagery in exceptional quality throughout everyday creative practice. Thanks to reliable, user-friendly connectivity with the Leica FOTOS App via Wi-Fi, Bluetooth, USB-C and Micro HDMI, content can be securely integrated into mobile workflows with exceptionally fast transfer speeds.
The Leica Q3 Monochrom features a well-organised, intuitive user interface with a distinct separation between photo and video functions. Each follows its own colour scheme and, combined with the carefully designed icons and menu navigation, allows for especially intuitive operation. Leica will introduce this new operating concept for Q-Cameras to both the Leica Q3 and the Leica Q3 43 through a firmware update at the end of the year.
The Leica Q3 Monochrom also plays a pioneering role within the Q family through its innovative use of Content Credentials technology. It is the first Q-Camera to offer images with a digital signature compliant with the Content Authenticity Initiative (CAI), ensuring tamper-proof verification of their origin and any subsequent modifications.
Optional accessories broaden the creative possibilities and enable personalisation of the Leica Q3 Monochrom. The new monochrome camera is compatible with accessories designed for the Leica Q3, further enhancing its functionality. Alongside the Q3 Monochrom, Leica is also launching a handgrip with wireless charging and a coordinated leatherette covering, a red filter, and a selection of carrying straps.
The Leica Q3 Monochrom will be available worldwide from 20 November 2025 at Leica Stores, in the Leica Online Store and from authorised dealers. The recommended retail price is EUR 6,750 including VAT.
Meike announced a new SE series 85mm f/1.8 Mark II full-frame autofocus lens for Z/L/E mount. Compared with the previous Mark I version, the new 85mm f/1.8 SE Mark II features less CA, better image quality, faster focusing speed, and a closer focusing distance (0.65cm). Orders are now open at:
https://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/11/image-10.png8031200leicakoreahttps://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/08/logo_20250831-300x63.pngleicakorea2025-11-19 11:39:002025-12-05 23:12:57Meike SE 85mm f/1.8 Mark II 렌즈 출시 $229 (L mount)
The original Dallmeyer Septac Anastigmat 50mm f/1.5 dates back to the 1950s (with prototypes as early as the late 1920s or 1930s) and was produced by the British optical company J.H. Dallmeyer. It’s a rare cine and still photography lens, originally an option for cameras like the Ilford Witness, and is considered one of the fastest and most coveted 50mm lenses from that era. The design is a 7-element in 4-group Sonnar-type anastigmat, based on earlier innovations like the 1938 Simlar lens. Vintage examples exist in uncoated and coated (e.g., DC coated) versions, with the uncoated ones being particularly rare and prized for their “oil-painting” style bokeh, soft melting highlights, and three-dimensional rendering that doesn’t match modern sharp optics. Originals are extremely scarce, with auction prices reaching around £25,000 (about $32,000 USD) for well-preserved copies.
Specifications the DK-Optic Impastolite 50mm f/1.5 lens
Focal Length: 50mm
Maximum Aperture: f/1.5
Mount: Leica M (with rangefinder coupling for accurate focusing on M-series cameras)
Optical Design: Replica of the original 7-element Sonnar-type, but with new elements for improved consistency
Build: Compact and robust, available in two finishes (black or silver)
Coatings: Black version features amber coatings for controlled flare; silver version is uncoated for a more vintage, high-contrast look with potential for stronger flare and glow
Other: Designed to evoke the original’s artistic qualities, such as soft, swirly bokeh, melting highlights, and a painterly feel in out-of-focus areas, while being suitable for both stills and cine use
A few pictures from the making of the DK-Optic Impastolite 50mm f/1.5 lens:
Next, a few comparisons with the original Dallmeyer Septac Anastigmat 50mm f/1.5:
Sample photos from the DK-Optic Impastolite 50mm f/1.5 lens:
새로운 렌즈 제조사의 등장이네요. 이번에도 중국 입니다..ㅋ
그들의 기세와 기술력은 무서울 정도.,.
제조사 이름은 DK 옵틱스네요. 50.5 렌즈를 출시했습니다.
Dallmeyer Septac Anastigmat 50mm f/1.5 lens 를 복각해서 내놓은 듯 합니다.
https://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/11/image-6.png373560leicakoreahttps://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/08/logo_20250831-300x63.pngleicakorea2025-11-13 14:47:132025-12-05 23:15:41DK-Optic Impastolite 50mm f/1.5 렌즈 출시 (M mount)
The Light Lens Lab 35mm f/1.4 Aspherical “11873” lens for M-mount was initially prototyped in 2023 and reviewed by Leica Society International. The lens has been refined with upgraded aspherical and high-refractive ED elements, improved alignment, and optimized performance for modern high-megapixel sensors. Here are the details (previous coverage of LLL lenses can be found here):
Specifications
Focal Length: 35mm
Format Coverage: 35mm Full Frame (24×36mm)
Optical Design: 9 elements in 5 groups (aspherical elements in groups 2 and 5)
Minimum Focus Distance: 0.7 m (rangefinder-coupled)
A prototype of the 35mm f/1.4 Aspherical “11873” was first completed in 2023 and submitted to Leica Society International for in-depth testing and review. Based on their valuable feedback, we decided to postpone its release to make significant improvements to both the optical design and quality control process. The review of the first prototype of the 35mm f/1.4 Aspherical “11873” has been published by Leica Society International.
Please note that during the review of the 35mm f/1.4 Aspherical “11873,” the lens tested was our first prototype. Over the past two years, we have implemented several key changes to optimize performance for modern high-megapixel sensors. Insights from another optical project—soon to be announced—contributed to the final prototype of the 35mm f/1.4 Aspherical “11873.” After testing the final iteration of the 35mm f/1.4 Aspherical “11873,” we are satisfied and confident in moving forward with production.
Use of ED/Achromatic element and Lanthanide element: effectively reducing distortion, diffraction, and chromatic aberrations. Retains the legendary controlled “glow” characteristic at f/1.4.
In-house production: all mechanical and optical components are designed, manufactured, and assembled entirely in-house.
Changes to Aspherical Element Production: Transition from the use of a ground and polished method to a modern moulded and polished method. This change is due to the implementation of moulded aspherical elements, which enhance precision and optical consistency.
New ED and Achromatic Element: Introduced a high-refractive low-dispersion and Achromatic Element alongside the new aspherical element to reduce distortion, diffraction, and chromatic aberration. At the same time, it maintains the legendary character and characteristics through the use of Lanthanide elements.
Enhanced Quality Control: Improved assembly precision and element spacing—particularly between aspherical and spherical groups—to optimize alignment and image quality. The rear element has been slightly extended for better optical performance, while maintaining full compatibility with M-mount and adapted camera systems.
New Optical Standard: Due to the high-performance aspect of 35mm f/1.4 Aspherical “11873.” The lens represents both a tribute to legendary lens design and characteristics and the foundation for our new high-performance optics series.
Refinements of ASPH Element Production: Improve overall performance, minimize aberrations, and reduce diffraction.
Use of Aviation Grade Aluminum and Titanium Alloy: For long-term usage with durability as priority
Finishes & Availability
The lens will be available in the following versions:
Black Paint
Chrome
Titanium Grey Limited Edition
Black Paint and Chrome versions feature bodies and accessories made from 7075 aircraft-grade aluminum alloy, while the Titanium Grey Limited Edition is made from titanium alloy.
Shipping is expected to start between December 2025 and January 2026.
Included Accessories
For Black Paint and Chrome Finishes:
Leather lens pouch
Matching front and rear caps
Matching 12587 lens hood (material/finish)
Box and documentation
1-year Light Lens Lab warranty
For Titanium Limited Edition:
Exclusive E46 UV Filter in Titanium (available during pre-order period only, until 11/21/2025)
The previously reported Leica SL3 Reporter camera is now officially announced.
This post is still being updated – refresh this page for the latest version.
The Leica SL3 “Reporter” camera features a scratch-resistant olive-green finish, no red dot, aramid-fabric armoring, black buttons, a black display frame, and black dials. The US price is $7,995 (the regular SL3 version is $7,485). The Reproter edition will include a BP-SCL6 battery, USB-C cable, strap, and a quick-start guide. The technical specifications are identical to the existing Leica SL3 model:
Full-Frame CMOS Sensor with Triple Resolution Technology 60/30/18 MP
ISO range from 50 to 100.000
New Hybrid AF-System
Maestro IV Processor with L2 Technology with 8GB of buffer memory
Optimized user interface
Full metal housing with IP54 certification
EyeResĒį5.76 Mio. dots OLED-Viewfinder with up to 120fps
Optimized ergonomics, size, and less weight
Tiltable high-res touchscreen
Timecode Interface
Record up to 8K with codecs H.265 and ProRes by Apple
Additional informtion on the new Leica SL3 Reporter camera (see also the report from Reddotforum):
The SL3 Reporter continues a longstanding tradition of cameras purpose-built for exceptional durability. The scratch-resistant olive-green finish and robust aramid trim ensure maximum functionality even in the harshest conditions, while also defining the distinctive aesthetics that make the Reporter design so highly regarded. This design variant builds on the cutting-edge technology of the Leica SL3. Its 60 MP full-frame sensor with Triple Resolution Technology allows images to be captured at 60, 36 or 18 megapixels, and supports video recording at up to 8K resolution. An intuitive operating concept, clearly divided into photo and video functions, makes working with the SL3 Reporter a real pleasure. Seamless connectivity to the Leica FOTOS App, with extensive options for editing and sharing, ensures a professional workflow. Quality and precision “Made in Germany”.
High Performance Optimization
Coupling a powerful 60MP full-frame BSI CMOS sensor with the Maestro IV image processor, the SL3 promises swift focusing performance and excellent image quality with 15 stops of dynamic range and 5-axis sensor-shift image stabilization. Improvements to the camera body include a 3.2″ 2.3m-dot tilting touchscreen LCD for dynamic viewing options while capturing imagery, a CFexpress Type B slot and SD UHS-II slot for file-saving versatility, and a reduced weight of 1.7 pounds. Also noteworthy is the SL3’s hybrid autofocusing system, which integrates Phase Detection AF with Contrast Detection AF and Object Detection AF, resulting in reliable performance in a multitude of shooting scenarios. These critical improvements to the camera’s hardware and body have positioned this iteration to leap ahead of its predecessors.
60MP Full-Frame BSI CMOS Sensor and Maestro IV Processor
At the front and center of the SL3’s notable upgrades are its 60MP full-frame BSI CMOS sensor and Maestro IV image processor. This duo combined with 8GB of buffer memory allows for incredible capturing speeds as well as superb image quality. This is double the amount of buffer memory available in the SL2-S, which means you’ll experience noticeable speed improvements for all operations, including startup time. Additionally, this improved processor provides a wide ISO sensitivity range from 50-100000.
Triple Resolution Technology
Choose between 60, 36, or 18MP output while still utilizing the full sensor area with Leica’s Triple Resolution Technology. This unique pixel binning process allows you to capture DNG and JPEG files at smaller sizes while still benefiting from the sensor’s rich 14-bit color depth and 15-stops of dynamic range.
Hybrid AF System with PDAF
Utilizing a hybrid AF system for optimized focusing, the SL3 features Phase Detection AF with Object Detection AF and Contrast Detection AF, ensuring speedy shifts in focus as well as reliable performance in low light scenarios. With this improved focusing system, the camera tracks eyes, faces, bodies, and animals much more effectively.
8K Video Recording & ProRes 1080p
Take full advantage of the SL3 with its impressive video capturing capabilities. All video resolutions, including 8K, frame rates, and quality settings can be recorded internally or externally without limit.
ProRes 422 HQ recording can be done with Full HD resolution at frame rates up to 60p.
HDMI 2.1 Type A and USB-C ports provide greater access to accessories like external recorders, gimbals, and power banks, making the SL3 a great tool for video creation.
5-Axis Image Stabilization
Complementing this camera’s powerful sensor is a 5-axis sensor-shift image stabilization system that provides up to 5-stops of shake reduction, allowing you to capture sharper handheld images.
Body Design Updates & Additional Features
One CFexpress Type B slot and one SD UHS-II slot are available for added versatility for file saving, allowing you to separate JPEG and raw files to different cards or save duplicate files to each card.
A USB-C port allows for fast file transferring and tethering with full support for Capture One, Adobe Photoshop, and Lightroom. Also supports high-speed in-camera battery charging.
A full-size HDMI 2.1 Type A port benefits video applications and a 3.5mm microphone and headphone jacks for advanced audio recording needs.
Its durable magnesium and aluminum construction withstands tough weather conditions and is splash and dust protected with a rating of IP54.
Video recording capabilities: Video recording capabilities: 8K, C8K, 4K, C4K, FHD, MP4 + MOV, H.265, and ProRes 1080p.
Leica L2 technology allows for a vast selection of L-mount compatible lenses.
Mechanical shutter speeds up to 1/8000 of a second.
Flash sync speeds up to 1/200.
Built-in Wi-Fi 5 (MIMO) and Bluetooth 5.1 work in conjunction with the Leica FOTOS app for wireless file transferring and remote camera control.
New graphical user interface with new icons and custom font for a more modern design and increased menu legibility.
Support for Live View portrait and landscape shooting with orientation auto-detection.
Photocentric menu settings are highlighted in red, while video centric settings are highlighted in yellow, aligning with the design language of the Leitz Cine lenses.
Press release:
A robust design variant of the mirrorless Leica full-frame system camera perfectly suited to the most exacting photographic requirements.
Leica Camera AG is pleased to announce the launch of the Leica SL3 Reporter, a new addition to the company’s Reporter design series. This particularly robust version of the Leica SL3 represents the latest in a long line of specially developed Leica cameras. The Leica SL3 Reporter is equipped with features that have been specifically designed for the harsh conditions of reportage and press photography. This enables maximum precision even under the most adverse shooting conditions. The product combines maximum functionality and reliability with a unique camera design that is both understated and striking.
The Leica SL3 Reporter features a particularly scratch-resistant dark green finish and an aramid fabric cover, which provide additional protection for the robust camera body against abrasion and environmental influences. Furthermore, the special trim, with its unique texture, also offers significantly improved grip. This ensures enhanced stability when taking photographs and filming. Over time, the trim develops a unique patina that reflects the traces of its photographic journey and the character of a true reportage camera. The distinctive design is characterised by a combination of dark green paintwork with black control elements, and the absence of the red Leica logo, which serves to emphasise the SL3 Reporter’s suitability for challenging working environments.
In terms of its technical specifications, the design variant corresponds to the Leica SL3 series model. This model combines state-of-the-art technology with outstanding image quality of up to 60 megapixels, precise autofocus, the best materials and ‘Made in Germany’ manufacturing quality. This product is robust and reliable, and is perfect for all your photography and videography needs. It is also very easy to use. A fast connection to the Leica FOTOS App facilitates a seamless professional workflow.
The Leica SL3 Reporter is now available worldwide in all Leica Stores, the Leica Online Store and specialist retailers at a price of €7,200 including VAT.
https://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/11/image-4.png373560leicakoreahttps://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/08/logo_20250831-300x63.pngleicakorea2025-11-07 08:31:432025-12-05 23:17:00Leica SL3 “Reporter” 공식 출시
https://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/10/RDF-sensor-banner.jpg5201200leicakoreahttps://leica-korea.com//media/leicakorea/0a4ef124-f041-4d67-8906-fa30cfc9417c/2025/08/logo_20250831-300x63.pngleicakorea2025-10-26 12:06:542025-12-05 23:20:59M9 CCD 센서부식 보상 프로그램에 M11-P Safari 와 Q3 43 추가
The function White Balance Adjustment allows the user to make custom adjustments to the sensor white point calibrated ex works. This adjustment will affect the automatic White Balance as well as the fixed presets (Film Style).
Lens detection now offers additional flexibility when using Leica-M lenses with 6-bit encoding. Even if the lens type is detected automatically, the user can now additionally select another lens type from the list of M lenses. The list is available for all profiles and will be included when profiles are exported to an SD card.
The Dust Protection function can now also be controlled via Leica FOTOS (Version 5.5.1 and higher)
In rare cases, the connection between the camera and smartphone was severed by the operating system during image downloads and could not be restored afterwards. This issue was resolved.
A bug was fixed where, in exposure bracketing with Auto ISO, the second and third shots were at times taken with unnecessarily high ISO values.
The issue, where images were sometimes misaligned after being transferred to the computer if the camera was quickly rotated from horizontal to vertical during shooting was fixed.
화이트 밸런스 조정 기능을 사용하면 센서 화이트 포인트 보정된 엑스워크를 사용자 지정으로 조정할 수 있습니다. 이 조정은 자동 화이트 밸런스뿐만 아니라 고정된 프리셋(필름 스타일)에도 영향을 미칩니다.
이제 렌즈 감지 기능은 6비트 인코딩이 있는 라이카-M 렌즈를 사용할 때 추가적인 유연성을 제공합니다. 렌즈 유형이 자동으로 감지되더라도 사용자는 이제 M 렌즈 목록에서 다른 렌즈 유형을 추가로 선택할 수 있습니다. 이 목록은 모든 프로필에 대해 사용할 수 있으며 프로필을 SD 카드로 내보낼 때 포함됩니다.
먼지 보호 기능은 이제 Leica FOTOS(버전 5.5.1 이상)를 통해서도 제어할 수 있습니다
드물게 이미지 다운로드 중 운영 체제에 의해 카메라와 스마트폰 간의 연결이 끊겼다가 나중에 복원할 수 없는 경우도 있었습니다. 이 문제는 해결되었습니다.
Auto ISO를 사용한 노출 브래킷에서 불필요하게 높은 ISO 값으로 두 번째와 세 번째 샷을 촬영하는 버그가 수정되었습니다.
촬영 중 카메라를 수평에서 수직으로 빠르게 회전시키면 컴퓨터로 전송된 후 이미지가 때때로 어긋나는 문제가 해결되었습니다.